Archive for the ‘Mexican History’ Category

posted by AetnaJo on Jul 21

This article on Exploring Caves In Mexico: the speleologist’s new frontier, will take you into another world and time. Take time to relax and enjoy.

Soaking wet and covered with mud, we followed the narrow underground stream deeper and deeper into the cave until we found ourselves standing about three meters above a pool of undetermined depth. The thick, dark liquid in the pool was composed of water, bat urine and guano, and a dead rat was floating on the surface. Jesús and I looked at each other. “There’s only one way to continue on,” I said. We stared down at the smelly pool which we later named El Pozo de la Pestilencia. “Ni modo,” replied Jesús — what else can we do?” And we both plunged in.

PHOTO GALLERY

Why would anyone want to swim across such a pond or leap into a dark chasm whose bottom cannot be seen, in order to crawl in utter blackness through the very entrails of the earth? And why would hundreds of seemingly sane people travel all the way to Mexico from every corner of the planet just to disappear underground, far from the sunshine and beaches so sought after by other tourists?

The answer lies deep within the human psyche. We are by nature explorers and we spend our lives exploring universes, beginning with the universe of our own bodies. Some people eventually stop exploring (and some would say, stop living) while others never cease searching for the unknown. As far as the surface of our planet goes, we’ve reached the point where it’s difficult to say, “I am the very first human being to stand in this spot,” but beneath our feet stretch vast labyrinths where we’re sure no one has ever gone before. This may not be the case in some European countries where speleology (the study of caves) has been popular for over a century, but in Mexico, underground exploration is fairly new: the number of known caves is too great to be counted and the potential for finding new ones is enormous. Every speleologist in Mexico has a very good chance of peering into a virgin cave passage with no idea what may be around the corner. Nothing is quite as exhilarating being the first person in history to step into an unknown realm.

Caves in Oaxaca

When it comes to big, long spectacular caves, Mexico has so much to offer that for years the world’s cavers have considered it their New Frontier. Seven of the fifty deepest caves on the planet are found here. Mexico’s deepest cave system is Sistema Cheve, in Oaxaca with a depth of 1,484 meters, the twelfth deepest cave in the world. Almost as deep is Sistema Huautla, also in Oaxaca, which (for the moment) bottoms out at 1,475 meters and is a whopping sixty-two kilometers in length. In extensive labyrinths like these, cave explorers are accustomed to spend a week or more underground, living, cooking and sleeping, usually under cold and wet conditions.

Precisely the opposite conditions are found in one of Mexico’s most famous caves, the Crystal Cave of Naica, home of the largest crystals the world has ever seen — some of which are eleven meters long and so wide you can’t get your arms around one. The cave is located in northern Mexico, southeast of Chihuahua, at a depth of 300 meters. It was discovered in 2000 when silver miners broke into it. Its air temperature of 50° C (122° F) and its humidity of 100% add up to a lethal combination for human beings. The Crystal Cave is one of very few places ever found which has been called — in the same breath — “the most beautiful place on earth” and “one step away from Hell.”

In order to discover Naica’s secrets, speleologists had to design special cooling suits that would allow them to spend more than a few minutes inside. One of their projects was the removal of tiny drops of water trapped deep inside one of the crystals. To their amazement, they discovered bacteria living inside this water, adding to the ever-growing proof that life can be found in the most inhospitable places on this planet and to suspicions that it will also be found on other celestial bodies, like Mars.

La Villa Luz: a bizarre cave in Tabasco

Another utterly bizarre Mexican cave is La Cueva de la Villa Luz, a river cave in the southern state of Tabasco. It’s a two-kilometer-long system of passages which smell like rotten eggs and which are teeming with life based on the oxidation of hydrogen sulfide, which bubbles up through the water, coloring it white and producing sulfuric acid. U.S. cave explorer Jim Pisarowicz first stepped into this unique cave in 1987 and was amazed at its curious geochemical features. Perhaps strangest of all were the rubbery “stalactites” hanging from the ceiling and dripping sulfuric acid. These, Pisarowicz called “snottites” and the name has stuck ever since.

The following year, Pisarowicz returned with friends to map the cave. He later reported, “This is the first time I had ever been in a cave where the survey crew mutinied because they were being burned by acid.” In 1998, Pisarowicz set up a new expedition with Dr. Louise Hose and a team of twenty specialists. This time all the speleologists wore face masks with acid-gas filters. Previous explorers had learned the hard way that prolonged exposure to hydrogen sulfide could cause nerve damage, loss of memory and even death. Their gas detectors, intended for measuring hydrogen sulfide concentration, “beeped alarmingly often,” says Hose, indicating that the concentration exceeded the acceptable level of 10 ppm.

One result of this expedition was a new insight into the manner in which caves are formed. Researchers Diana Northup and Penny Boston discovered that the cave’s snottites and other strange formations were brimming with bacteria closely related to Aciditheobacillus theooxidans, a known sulfur-loving organism. It turned out that these microorganisms oxidize compounds like hydrogen sulfide, producing acid that dissolves the cave’s limestone walls and produces gypsum. Gypsum is soft and soluble and can easily be carried away by underground streams, eventually resulting in large, spectacular cave systems like Carlsbad Caverns.

While the Naica caves are extremely difficult to visit, Cueva de Villa Luz (also called Cueva de la Sardina by locals) is open to the public and is apparently not considered dangerous as long as you stick to the well-ventilated areas near the entrance. The cave is located inside a regional park called Kolem Jaa and may be visited during a day trip from Tabasco’s capital, Villahermosa.

Mexico’s cenotes and underwater caves

When it comes to long, deep or bizarre caves, Mexico is a world leader, but how about underwater caves? Well, guess where the longest explored underwater cave in the world is located? Yes, it just happens to be in Quintana Roo, Mexico. The cave system is called Ox Bel Ha (from Mayan, meaning “Three Paths of Water”) and is more than 180 kilometers long. The story of this cave’s exploration began in 1996 when four cave divers did a quick dive in a cenote called Las Canales. A cenote (from the Mayan word for “well”) is an opening (often round and dramatically beautiful) giving access to underground water, in the Yucatan Peninsula. Inside a cenote, divers typically find a layer of rainwater floating on top of a layer of salt water. The surface where these two layers meet is known as a halocline. When divers disturb it, the water turns blurry, adding yet another complication to an already hairy situation.

In 1998, two of the divers, Sam Meacham and Bil Phillips, returned to the area and visited another cenote called La Esmeralda. As they sat at its edge, admiring the view, Meacham’s pocket knife fell into the water, providing the pair with the perfect excuse to come back and dive La Esmeralda.

According to Grupo de Exploración Ox Bel Ha, the divers entered a cavern they later named The Mayan Skyway. “It was an inspiration; at its widest part, it spanned close to 100 feet; the ceiling to floor distance was 25-30 feet in some areas; fossils stuck out of the walls and littered the floor and a steady flow of fresh water could be seen skipping across the saltwater below. Side passages seemed to branch off in all directions… Decorations hung from the ceiling and reached up from the floor, frozen in time since they were formed many thousands of years before.” Over the years, the size of Ox Bel Ha has grown and grown and its entrances now include 130 cenotes. The benefits of the mapping of Ox Bel Ha to the geography, botany and biology of the Yucatan Peninsula are incalculable.

A word should be said about the brave souls who don artificial breathing equipment to penetrate the airless and lightless recesses of the earth. Theirs is, without a doubt, one of the most dangerous activities that human beings have ever undertaken on this planet. Every year the U.S. National Speleological Society publishes an analysis of all the caving accidents that have occurred in the Americas. The most recent report lists 50 incidents which resulted in various types of injuries or inconveniences and a total of 5 fatalities. When it comes to cave diving incidents, however, the number of incidents is 12 and the total number of deaths is 11. Cave divers, it seems, cannot afford to make a single mistake.

Watch out for histoplasmosis

All of the caves mentioned above are unusual and dangerous, to say the least, but even the most ordinary Mexican cave usually hosts a far more common and more subtle danger. A fungus calledHistoplasma capsulatum typically grows on the guano underfoot and shoots microscopic spores into the air cavers breathe. The spores lodge in your lungs and after an incubation period of about eleven days, you may suddenly develop a hacking cough, chest pains and an intermittent fever. This is probably histoplasmosis and it is normally “cured” by resting for a week or so while your lungs encapsulate the spores. Some people experience much lighter symptoms while others may require hospitalization.

It is popularly thought that wearing a face mask can protect you from “histo.” Research, however, indicates that only masks which tightly adhere to the skin are effective. On one occasion, sixteen cave explorers, all wearing the ordinary sort of face masks (such as those used by nurses and paint sprayers) entered a particularly dusty cave. Eleven days later, every one of them had histoplasmosis. This occurred in the state of Jalisco, which local cavers call “The Histo Capital of the World.” Some years ago, researchers at the Guadalajara IMSS (Social Security Institute) were puzzled to find cases of histoplasmosis among workers digging a trench for the Electric Commission. They began to take soil samples from all over the state and discovered that histo spores can be found a meter below the surface in limestone areas, apparently deposited thousands of years ago by overflying bats. So you can occasionally enjoy the experience of histoplasmosis just by digging a hole!

Bad air

Another far less common danger encountered in Mexican caves is “bad air.” I first ran into this problem while rappelling into a narrow pit around 50 meters deep. About 2/3 of the way down, the carbide lamp on my helmet suddenly went out. I just figured the nozzle was plugged and kept on going right to the bottom. Here I disconnected from the rope and sat down on the ground. I was huffing and puffing like someone who had just ruin a marathon and foolishly attributed this to being “in bad shape” until suddenly I remembered an interview I had done with bat expert Merlyn Tuttle, in which he described the typical symptoms of asphyxiation by carbon dioxide. I immediately realized I was standing at the bottom of an invisible lake of CO? and I recalled that Tuttle had said that in such a situation, a person will pass out in less than two minutes.

The first thing I did was grab my whistle in order to signal the next caver not to come down. Three blasts are supposed to indicate trouble, but with almost no air to breathe down there, my “blasts” sounded more like burps and it’s a miracle the cavers up above heard me at all. Next, I had to switch over from descending to ascending equipment and I think I broke all the world’s records for doing this because I knew I had only seconds left to get out of there.

I began to go up the rope and I recognized exactly the moment when my head rose out of that invisible lake of unbreathable gas. It was like emerging from water. I could suddenly take in great gulps of “real air” and I was overwhelmed with happiness and relief: I was going to live!

After that nearly fatal experience, my friends and I made it a habit to do every rappel with all of our ascending gear already connected and ready to use. We also began to carry small disposable lighters in our cave packs. You know there’s not enough oxygen if you see the flame “floating” an inch or so above the lighter.

Most caves in Mexico are found in limestone and often display magnificent stalactites, stalagmites and other formations like draperies, shields and gravity-defying helictites. These almost always enthrall cave visitors and make all the dangers and inconveniences of exploration well worth the effort.

Mexico’s dramatic lava caves

Besides great numbers of limestone caverns, Mexico also has many lava-tube caves. These are formed when the surface of a river of lava begins to cool. The molten rock flows out from underneath, often leaving a smooth-walled tunnel that could be many kilometers in length. Lava caves may be decorated with bizarrely shaped stalactites and stalagmites caused by lava dripping from the ceiling. Explorers can also find lava falls and lava balls. The latter are boulders caught up in the flowing lava and eventually “glued” to the floor or even to the ceiling. The area south of Mexico City abounds with an extensive maze of lava tubes whose rough surface is famed for shredding the shirts and pants of cavers dedicated to mapping and photographing them.

It may take nature millennia to produce a stunningly beautiful cave formation, but it takes a human being only a split second to break it off. Many Mexican caves have been irreversibly trashed by people who have never reflected on this fact. Likewise, countless beneficial bats have been killed by people who mistakenly believe “all bats are vampires.” In reality, most bats either eat tones of insects nightly or pollinate a wide range of important plants, from bananas to the agaves from which tequila is made. See Bat Conservation International for more information.

My experience shows that a five-minute chat can change these enemies of caves into friends and I urge anyone who has a chance, to spread the word. The Golden Rule of cave explorers worldwide is: take nothing but pictures; leave nothing but footprints; kill nothing but time.

Tell me the truth now, have you enjoyed entering and exploring caves in Mexico as much as I have? If not, you’re missing out. LOL  Thanks for the visit and we’ll meet again soon.

News in English about Mexican caves is published in bulletins of the Association for Mexican Cave Studies. The best book on Mexican caves I’ve seen is Un Viaje al Mexico Profundo (A Voyage to Deepest Mexico) by Gustavo Vela Turcott, in Spanish, published in 2005 by Editorial Santillana, Mexico City, ISBN: 970-29-1272-5. It has 180 pages in color and 200 photos. Available directly from the author.

Published or Updated on: July 21, 2010 by John Pint © 2010
Contact John Pint

Republished or Updated on: July,21,2010 by Aetna J H

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posted by AetnaJo on Jul 16

Teotihuacan
The ancient ruins of Teotihuacan (teh-oh-tee-wa-can) have fascinated visitors for centuries. This amazing archaeological treasure is located on the central highland plateau of Mexico, surrounded by mountains and much mystery.

Teotihuacan is an incredible place to visit and many believe it is the most important archaeological destination in the country. Indeed, these ancient ruins are magnificent to behold, fantastic in design and awesome in their beauty. Located just 30 miles northeast from present-day Mexico City (add link), Teotihuacan was the New World’s first great metropolis.

Enormous in size, at its zenith, Teotihuacan housed up to 200,000 residents and encompassed 12 square miles. The civilization which flourished at Teotihuacan was contemporary to that of ancient Rome. However, unlike that fallen city, Teo’s civilization lasted centuries beyond Rome’s demise. Remarkably, Teotihuacan seems to have sprung up out of nowhere, having no precedent in the ancient world. Archaeological evidence does indicate that the geographic area of Teotihuacan was inhabited by humans as early as 500 B.C. However, actual construction activities of the great city didn’t commence until 1 B.C. with the initial building phase of the site’s famous Pyramid of the Sun.

Teotihuacan

A total of three pyramids reside at Teotihuacan as do temples, palaces and residential compounds. The time period in which Teotihuacan flourished was approximately 2-6 A.D with its apex occurring circa 5 A.D. By 700 A.D., the city was abandoned, for unknown reasons. Many suggest that the city could no longer meet the food needs of its vast population, perhaps due to drought or over-use of arable land. However, even if this is a plausible cause, it doesn’t nearly explain why the city was set on fire and its most important temples desecrated.

While in existence, however, the influence that this great city exerted in ancient Mexico was profound with its imprint reaching as far away as the Yucatan and Guatamala. The citizens of Teotihuacan were superb craftsman whose products were traded throughout ancient Mesoamerica. As well, people from all over Mexico would come to the city for rituals and ceremonies. It is noteworthy that the city had no fortress or other means of defense. During the time of its glory, Teotihuacan would have needed no such accommodation, as its power and influence were supreme throughout ancient Mexico.

Part of the great mystery surrounding Teotihuacan is the origin of the city’s original inhabitants. We do not know their ethnicity or from whence they came. Great conjecture has been made concerning this point with the mystery still unsolved. There are no written records or codes to decipher, which would undoubtedly shed light on this matter. Even the original name the city was given by its original builders is not known. The nomenclature of the site, including the name Teotihuacan, was bestowed upon the city primarily by the Aztecs, some 500 years after the city’s demise. In the Nahuatal language the name Teotihuacan means ?The City of the Gods” or “Where Men Become Gods”. Indeed, the setting, coupled with the site’s stunning architecture, lends itself to this description.

For the Aztec’s, whose empire reigned some 500 years after Teotihuacan, the city was the most venerated and sacred spot on earth. According to Aztec legend, the moon, the sun and the universe were created at Teotihuacan. The Aztec Empire adopted Teotihuacan’s symbols and motifs in their own cosmology. The city was so highly regarded that Aztec royalty would make pilgrimages to the site.

Quetzalcoatl the Feathered Serpent

When visiting Teotihuacan, one is immediately struck by the orderly lay-out of the city, which is aligned on a north-south axis. This alignment is occupied by the city’s main thoroughfare which is called “The Avenue of the Dead”. This avenue was so named by the Aztecs because they mistakenly identified the temples lining its corridor as burial chambers, tombs for the giants who they believed had built the magnificent city. This avenue extends for an incredible 2 and ½ miles and many of Teotihuacan’s buildings can be found along this straight-away. When the city was in its full glory, the temples, palaces and pyramids were covered with limestone and painted with bright colors and elaborate murals. Fragments of red paint can still be seen on many of the site’s buildings and one can only imagine how colorful the city must have once appeared.

As you walk down the Avenue of the Dead, you will soon encounter the site’s major landmark, the Pyramid of the Sun, the largest building at Teotihuacan. This magnificent edifice dominates the site and represents the third largest pyramid in the world, after the pyramid at Cholula (add link) and the Pyramid at Cheops, Egypt. The base of the Pyramid of the Sun measures 738 feet long and stands 246 feet tall. A temple once stood upon its summit but has long since vanished. It is no secret that the walk to the top is a long one, there are nearly 250 stone steps to climb. Thankfully, the stairs are interspersed with platform terraces where you can rest for a moment. The reward upon reaching the summit is an eagle’s eye view of the city and the mountains beyond, especially if it’s a clear day.

A major and exciting archaeological find was made at this pyramid in 1971. A team of archaeologists located a tunnel on the pyramid’s west side which leads to a cave underneath its base. Religious artifacts and remnants of ceremonial activities were discovered in this subterranean chamber. This cave undoubtedly was the catalyst for the pyramid being built where it was. Caves throughout ancient Mesoamerica cultures were frequently used for ceremony and ritual and were considered highly sacred.

At the city’s northern end is where you’ll find the site’s elegant Pyramid of the Moon. This structure has a graceful silhouette with stairs much steeper to climb than that of the Pyramid of the Sun’s. It is highly recommended to make the effort, however, for the vista atop its summit offers a splendid overview of the Avenue of the Dead. Although shorter in stature (140 feet tall) than its companion, it appears to be the same height as the Pyramid of the Sun as it was built on higher ground. Archaeologists have been motivated by recent discoveries at the Pyramid of the Moon, including the discovery of tombs of high-ranking officials. The hope is that a royal burial will be discovered shortly, which could possibly lead to startling new revelations about the site’s original inhabitants.

Quetzalpapalotl

In addition to the site’s two major pyramids, there is a great deal more to explore and discover while visiting Teotihuacan. The Plaza of the Moon, which sits directly in front of the Pyramid of the Moon, houses many temples and features a square altar at its center. Directly to the west of the building lies the splendid Palace of Quetzalpapalotl, a lovely building decorated profusely with animals that are of a hybrid being, part bird and part butterfly. The murals housed here are splendid and well-preserved.

After exploring Teotihuacan’s northern end, the next stop on the agenda is to visit the buildings housed at the site’s southern perimeter. It is here you will encounter the sunken square called ?The Citadel?. This grand arena is very large in size, covering some 17 square acres. The ancient city’s administration affairs were conducted from this center and its inner courtyard accommodated thousands of people while in use. The Citadel also is home to the fantastic Temple of Quetzalcoatl (Feathered Serpent). This temple was an important point of pilgrimage for the city’s ancient inhabitants who would worship and conduct rituals at its location. You will be greeted with fantastic sculptures of feathered serpents at this temple, which features some of the earliest depictions of this important deity.

Unrestored Teotihuacan a century ago

Teotihuacan was declared a World Heritage Site by UNESCO in 1987. The site’s stunning architecture and vast historical importance made it a natural choice for such a designation. Should you be planning your trip in summer, be prepared for very hot weather. It is mandatory to bring a hat, sunscreen and plenty of water. As well, be ready for a lot of exercise as the site is vast and a sturdy pair of shoes will be needed. The elevation at the site sits at 7,000 feet, so if unaccustomed to such high altitudes, be sure to take plenty of breaks and allow enough time in your itinerary to truly visit the site. There are two fine museums located on the premises with some excellent artifacts. Also, be sure to bring a camera along as photographic opportunities are plentiful. Today, Teotihuacan remains a point of pilgrimage. Each Spring Equinox, thousands of people flock to Teotihuacan to welcome the dawn on the first day of Spring.

I truly hope that you have enjoyed Mexico’s Teotihuacan as much as I have.
Resource.Mexonline.com

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posted by AetnaJo on Jul 12

Shooting Script: Door of Fire is a sequence of poems about several “heroes:” Diego Rivera, Frida Kahlo, Leon Trotsky, with bit parts from Trotsky’s wife Natalia, actress Paulette Goddard, surrealist Andre Breton and others.
We see them — Diego, Frida, Leon — as if we are watching them through a camera lens. Three people driven by obsessions.
Through the “eye” of the “poet’s camera,” we capture them at their worst, at their best, in the privacy of their desires… erotic and political and artistic; we witness their successes, their failings, their longings…James Tipton
Diego Rivera and Frida Kahlo in poetry

Eastern Washington University Press, 2003
Available from Amazon Books: Paperback

Decades after their deaths, Frida Kahlo andDiego Rivera continue to fascinate us, compelling us to still pay attention to them, through works like Frida: A Biography, by Hayden Herrera (1983); or, derived from Herrera’s book, Frida (2002) — starring look-a-like Salma Hayek — a movie that should have won a few Academy Awards; or Frida (2002) by Barbara Mujica… which presents Frida through the eyes of her jealous sister Christina; or very recently The Lacuna, by Barbara Kingsolver, about a writer who spends much of his younger life as part of the household of Diego Rivera and Frida Kahlo, during tumultuous times.

Bill Tremblay is the author of several collections of poems, including a favorite of mine, Duhamel (1986), which is a sequence of poems about a hero Tremblay created.

Shooting Script: Door of Fire (2003) is likewise a sequence of poems about several “heroes:” Diego Rivera, Frida Kahlo, Leon Trotsky, with bit parts from Trotsky’s wife Natalia, actress Paulette Goddard, surrealist Andre Breton and others.

We see them — Diego, Frida, Leon — as if we are watching them through a camera lens. Three people driven by obsessions. Through the “eye” of the “poet’s camera,” we capture them at their worst, at their best, in the privacy of their desires… erotic and political and artistic; we witness their successes, their failings, their longings, and almost become party to them. We “see” through a series of scenes that are subsuming, scenes that — like the characters themselves — are symbolic of something beyond what the camera, given only a moment, can capture.

It is evening when the camera first pans down a “sky/the color of hammered copper” to the terrace where sit “Diego, in 20 gallon/white Stetson, Frida in denim workshirt….” Around them “workers brick up holes,/turn the hacienda to a fortress to give their guest/the exile from the assassins everyone knows are coming.” The workers are “beating the Blue House to death.

“Frida “raises her head to ask: — Why clean house for a dead man?”

The “dead man” that is coming is Leon Trotsky, the rightful heir to Lenin’s Russia, now usurped by the more savvy and much stronger Stalin (a name he adopted from the Russian word for steel).

The camera shifts, to the porthole of a Norwegian steamer, where “Leon watches morning fog rise above Tampico.” Leon expects Stalin’s assassins will “finish us on the docks.” Instead “a native queen,” Frida, “…steps forward/in her blue Tehuana dress” to welcome Leon and his wife Natalia, “still buttoning,” to the New World. Leon is not prepared for Frida. “Her youthful eyes gleam obsidian, their depths/rock him like a tugboat bumping the ship.”

Diego, back in his studio, offers champagne to the striking Paulette Goddard (a major star in the ’30s and ’40s). Let’s listen in on some of the dialogue: Diego asks:

—How is Mexico treating you?
—At the bullfights this matador dedicated his victory to me.
Then some jerk said the bull-fighter was an amateur.
I said, ‘Maybe, but the bull’s a professional.’
He settles Paulette down on pillows.
She looks, from that height, at his zipper: — Now what?

Shortly after Trotsky and Natalia settle into the household of Diego and Frida, the intellectual (and inexperienced) Leon, initially titillated, now becomes obsessed with the fascinating and bold (and much more experienced) Frida: “His eyes/focus on Frida holding a Taoist cue-ball,/staring out to a future Leon imagines as/him….”

Shortly after Trotsky and Natalia settle into the household of Diego and Frida, the intellectual (and inexperienced) Leon, initially titillated, now becomes obsessed with the fascinating and bold (and much more experienced) Frida: “His eyes/focus on Frida holding a Taoist cue-ball,/staring out to a future Leon imagines as/him….”

Together, Diego and Frida and Trotsky and Natalia climb the Pyramid of the Sun. At the top, they gaze down in awe, except for Natalia who “sneers with the blasé of a tired/Parisian cab-driver.” Diego tells Trotsky he sees him as the Sphinx. Trotsky smiles, “I am a riddle.” “Frida leans into him,/he suns himself in her gaze,/her warmth melting his Ukrainian ice.”

Frida, who is eager to feel fully confirmed as a revolutionist, is ardent to consummate her relationship with the man who, but for a political injustice, would be the leader of contemporary Russia and of world communism.

Let’s look at the following scene in detail. In the studio of the Blue House, the camera first moves to Leon, looking at “a painting of a woman lying on a brass bed” and then to Frida who “picks up a rose made from a tin can with shears….” Frida leans on Leon who is anxious to help her down the stairs and to her bed, “the four-poster with its white canopy/on which a doll resembling her sleeping self is perched.”

Frida sits on the chenille bedspread as Leon studies a painting on the arched ceiling… of “Moses holding a staff over the waters, with his third eye open.” Frida, intent on re-directing his attention, compliments him. Look at the mastery with which Tremblay now develops the latent eroticism between Frida and Leon that up to this point has left us longing for something more. Let’s move in close with the camera:

You are a flame that gives hope to the poor.
He laughs: — ah, so that’s how you see me.
Leon takes a red papier maché goat mask from the wall.
Careful. He who dons the mask becomes the god.
I know, and then is killed, a human sacrifice…
If he who wears the mask is the god, there is no human sacrifice…
Through the mask he sees Frida unbuttoning her blouse,
unfastening her body-cast with its painted
Corinthian column, cracked in six places.

* * * * *

It’s amazing you can walk at all…
Please, no pity. I’m not sick, I’m broken.
but I’m happy to be alive as long as I can paint.
She holds up, examines, her hands: Can you know my longings,
you, who’ve already made history?
Are you going to take a siesta?
Not alone.* * * * *

Frida loosens his tie, unbuttons his collar, and peels off his coat:
What do you need from me?
Frida lies back on her pillows, softly:
I need a new fire, a vortex, a… Leon kisses her throat:
&mdashI need someone to love me, not this name I stole from a Siberian prison warden…
With you, I could be a man like other men…
I hope you won’t be. With Diego, making love is like
being rolled over by the entire Gulf of Mexico…

As they make love for the first time,

She kisses, bites, his lower lip. Leon winces, his blood
stains his tongue… How do gods make love,
except with a wounding kiss? In every love
there’s a victim, Leon… I am Diego’s… Natalia is yours…
You are mine…

But others are preparing to make Leon a victim as well. The Russian propaganda machine has successfully vilified him to much of the world, has re-cast him as evil. Even as he left the ship to set foot on Mexican soil for the first time, he saw, in the crowd of supporters, a placard raised high: “Go Home Traitor.” The relentless Russian police already have rooted out his comrades and killed them and soon will find his son.

But Leon is tired. He tells Diego he would like to have a dozen white rabbits to care for. Now he thinks less about revolutionary ideals and he thinks more about Frida, almost thirty years younger. He writes her a love letter:

“Before me lies the bright green strip of grass beneath your wall, the clear blue sky above, and sunlight everywhere. Life is beautiful. Let the next generation cleanse it of evil.”

Surrealist André Breton arrives, and he is immediately struck by the intensity of artistic and political and erotic passions that drive daily life in The Blue House. Studying Trotsky’s political writings Breton tells Diego that “his call to/permanent revolution is to permanent revelation” and that Trotsky writes “as a poet might, who refuses to fall asleep/in the arms of his last good metaphor….” Studying a painting by Frida, Breton falls to his knees, kissing her feet: “Your painting is like a bomb wrapped in ribbons./This is what surrealism’s meant to be, pure and cruel.

Of course we know this particular story, told to us now in Shooting Script: Door of Fire, must move toward its inexorable and tragic conclusion, one that causes Diego to reflect, “Whatever history says will be a shallow lie.”

Poetry tries to pull out a truth from experience now passed, perhaps not exact in details but close enough in essence. When poetry is successful, it lifts us into a deeper understanding of “what happened.” When poetry is most successful, that deeper understanding is also about “what happens to us.”

Shooting Script: Door of Fire, is one of those (many) fine books that most reviewers passed by. I found the book last September in a little store in Colorado, where I suspect it had been sitting on a dusty shelf far too long. But suddenly, as I also almost passed it by, it leaped off the shelf and insisted I take it to lunch. Two fascinating hours later I decided to take it back with me to Mexico, where it somehow belongs.

Published or Updated on: July 11, 2010 by James Tipton © 2010
Contact James Tipton

Posted July 11, 2010 by Aetna J H

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posted by AetnaJo on Jun 30

As I looked over this Mexican holiday and fiesta calender I knew immediately that I had to share.

Fiestas abound in Mexico. The following listing of major Mexican holidays, by no means complete, is intended to help the newcomer to Mexico understand the motive for hearing rockets blasting off at dawn, finding a local bank or post office closed on a weekday, or encountering traffic brought to a halt by a passing parade or religious procession.

Every village and each parochial sector of the nation’s larger towns and cities has a designated a holy personage in whose honor fiestas patronales are held annually. In most cases such festivities take the form a novenario, a nine-day celebration with unique characteristics that are traditional to each locality.

Many religious celebrations have their roots in the pre-Hispanic era, while most civic holidays reflect modern historical events. Government offices, banks, schools and some businesses close across the nation for major national holidays. Such shut-downs may also occur during important religious celebrations in individual localities. Essential commerce, however, is rarely suspended, so most market places, supermarkets and small family-operated grocery stores generally open for business every day year-round.

(See also the Mexconnect Food Festival Calendar)

Dates are annotated as follows:
** National holiday (non-working days) are in Bold Type
* National holiday commemoration
+ Religious holiday (fixed date)
++ Moveable feast (date varies year to year)
+* Local festival or holiday

Children's Festival

2010 Holidays and Fiestas

January / Enero

Month dedicated to the Holy Name of Jesus / Mes dedicado al Santísmo Nombre de Jesús

1 + New Year’s Day / Año Nuevo **
1 Solemnity of the Virgin Mary / Santa María Madre de Dios
1st Sunday Epiphany / La Epifaña
2nd Sunday + Baptism of the Lord / El Bautismo del Señor
6 + Three Kings Day / Los Santos Reyes
17 + St. Anthony – Blessing of the Animals / San Antonio Abad
18 +* Santa Prisca, Patron Saint of Taxco, Gro.
20 + Saint Sebastian the Martyr / San Sebastian

February / Febrero

2 + Candlemas / Día de la Candelaria
1 * Constitution Day / Aniversario de la Constitución February 5, is celebrated on the first Monday of February
12 ++ Four days before Ash Wednesday: Carnival begins
14 ** Valentine’s Day / San Valentín: Día del Amor y la Amistad
16 + Shrove Tuesday (Mardi Gras) / Martes de Carnaval
17 + Ash Wednesday / Miércoles de Ceniza
24 * Flag Day / Día de la Bandera

March / Marzo

Month dedicated to the veneration of Saint Joseph / Mes dedicado al culto de Señor San José

8 + Saint John of God / San Juan de Dios
15 ** Birth of Benito Juarez / Natalicio de Benito Juárez March 21, is celebrated on the third Monday of March
17 +* Saint Patrick, Patron Saint of San Patricio Melaque, Jalisco / San Patricio
18 * Nationalization of Petroleum Industry / Expropiación Petrolera
19 + (Saint Joseph’s Day /Día de San José
28 + Palm Sunday / Domingo de Ramos

April / Abril

Index to Easter in Mexico
1 + Maundy Thursday / Jueves Santo
2 + Viernes Santo (Good Friday)
3 + Sábado Santo y de Gloria (Holy Saturday)
4 + Easter Sunday / Domingo de Gloria (Pascua de Resurrección)
25 +* Saint Mark / San Marcos, Patron Saint of Aguascalientes, Ags.
30 * Children’s Day / Día del Niño

May / Mayo

Month of flowers consecrated to the Holy Virgin Mary / Mes de las flores consagrado a la Santísima Virgen María

1 ** Labor Day / Día del Trabajo, also San José Obrero (Saint Joseph)
3 + Holy Cross Day / Día de la Santa Cruz
5 * Cinco de Mayo – Battle of Puebla / Batalla de Puebla
10 * Mothers Day / Día de las Madres – fixed date
13 + Ascension Sunday / Domingo de Asención
15 + Saint Isidore the Farmer / San Isidro Labrador – Blessing of Animals
23 + Pentecost Sunday / Pascua de Pentecostés

June / Junio

Month dedicated to the worship of the Sacred Heart of Jesus / Mes dedicado al culto del Sagrado Corazón de Jesús

6 + Corpus Christi / Domingo de Corpus Cristi Corps falls on June 3, is celebrated June 6
13 + Saint Anthony of Padua / San Antonio de Padua
20 * Father’s Day / Día del Padre – 3rd Sunday of June
24 + Saint John the Baptist / San Juan Bautista
27 + Our Lady of Perpetual Help / Nuestra Señora del Perpetuo Socorro
29 + Saint Peter and Saint Paul / San Pedro y San Pablo

July / Julio

Month of the Precious Blood of Christ / Mes de la preciosa Sangre de Cristo

4 + Our Lady of Refuge / Nuestra Señora del Refugio
16 + Our Lady of Mount Carmel / Nuestra Señora del Carmen
18-25 +* La Guelaguetza-Lunes del Cerro Festival, Oaxaca, Oax. (Traditional Folk Festival)
25 + Saint James the Apostle / Santiago Apóstol

August / Agosto

15 + The Assumption of the Virgen Mary / La Asunción de la Virgen María
28 +* Saint  Augustine / San Agustín, Patron Saint of Puebla, Pue

September / Septiembre

Month of Patriotic Festivities / Mes de la Fiestas Patrias

1 * President’s State of the Union Address / Día del Informe Presidencial
13 Young Heros of Chapultepec / Aniversario de la muerte de los Niños Heroes
14 Horseman’s Day / Día del Charro
15 * Independence Cry “El Grito” / Conmemoración del Grito de la Independencia
16 Independence Day / Día de la Independencia**
24 + Our Lady of Mercy / Nuestra Señora de la Merced
29 +* Saint Michael Archangel / San Miguel Archangel, Patron Saint of San Miguel de Allende, Gto.)

October / Octubre

Month dedicated to the Holy Rosary / Mes dedicado al Santísimo Rosario

4 +* Saint Francis of Assisi / San Francisco de Asís, Patron Saint of Chapala, Jal.
7 + Our Lady of the Rosary / Nuestra Señora del Rosario
12 * Columbus Day / Día de la Raza
+* Pilgrimage Guadalajara-Zapopan / Romería de la Virgen de Zapopan

November / Noviembre

1 + All Saints Day / Todos los Santos
2 + Día de los Fieles Difuntos (Day of the Dead-All Souls Day)
Index to the Day of the Dead Section
12 * Postman’s Day / Día del Cartero – post offices close)
20 ** Revolution Day / Aniversario de la Revolución Mexicana
22 + Saint Cecilia – Santa Cecilia, Patron Saint of Musicians
30 +* Saint Andrew / San Andrés, Patron Saint of Ajijic, Jal.

December / Diciembre

Month of the Nativity of the Lord and of the Virgin of Guadalupe / Mes de la Natividad del Señor y la Virgen de Guadalupe

6 + Saint Nicholas / San Nicolás
8 + The Immaculate Conception / La Inmaculada Concepción de la Virgen María
12 + Our Lady of Guadlaupe / Nuestra Señora de Guadalupe
16-24 + Pre-Christmas festivities / Posadas Navideñas
Index to the Christmas Season in Mexico
24 + Christmas Eve / Noche Buena
25 */+ Christmas Day / Navidad*/+
28 + Day of the Holy Innocents / Día de los Santos Inocentes
New Year’s Eve / Festejos de fin de Año
This is one of the most complete and informative articles that I’ve run across with a Mexican holiday and fiesta planner. Enjoy!

Published or Updated on: January 1, 2010 by Dale Hoyt Palfrey © 1997

Contact Dale Hoyt Palfrey Re-Posted by AetnaJH 2010 Resource Mexconnect.com

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posted by AetnaJo on Jun 26

Templo Mayor Restoration

Templo Mayor - Visiting Mexico City is an exciting proposition, one that promises the traveler many opportunities for adventure. A grand metropolis with one of the world’s largest populations, the city is an international destination for many travelers. Today, Mexico City offers the visitor the chance to explore one of the most extraordinary archaeological discoveries of the 20th century.

Located in the heart of the city, the Templo Mayor Museum and ruins are a must-see when visiting Mexico. In 1978, a worker digging a city construction project near a downtown cathedral hit something big and hard with his shovel. The object in question was a 500 year old stone sculpture depicting an ancient Aztec goddess. This huge stone sculpture was no ordinary find. An incredible work of art depicting the moon goddess Coyolxauqui, this sculpture was the tip of the proverbial iceberg.

Coyolxauqui

Archaeologists were immediately summoned to the site and what was determined next was nothing short of incredible. The scientific community conceded that this magnificent sculpture provided evidence that what lay hidden underneath the streets of modern day Mexico City, was in fact, the ruins of the ancient Aztec capital of Tenochtitlan. More astounding yet, the ruins appeared to be those of the capital’s great pyramid, the Templo Mayor.

It has long been known by historians that the Spanish conquistadors, upon seizing control of Tenochtitlan in 1521, destroyed the Aztec city in order to establish their own. Temples were torn down and priceless artworks decimated. Spaniards built atop the structures they had razed, thereby erasing any vestiges of the once great city of Tenochtitlan. These ancient ruins and their mysteries, which are still unfolding, may have forever remained submerged underneath tons of rock and concrete, had it not been for that city worker in 1978.

Mexico was initially hesitant to destroy historic colonial buildings that lay atop these ancient ruins. Nonetheless, the decision was made to do just that. The legend surrounding the founding of Tenochtitlan is one that still lingers in the collective consciousness of Mexico today. Indeed, the country’s flag represents this legend graphically. An eagle is depicted, perched upon a cactus, devouring a snake. This was the sign that the ancient Aztecs sought in determining where to build their temple. According to legend, the Aztecs did encounter such an omen and the construction of Tenochtitlan and its great pyramid, the Templo Mayor soon commenced.

Templo Mayor showing different stages

One terrifying discovery, the Wall of Skulls, features panels of real human heads covered with stucco. The museum also showcases two clay statues of Aztec warriors, life-size and resplendent in eagle costumes.

Excavations are ongoing with one currently in progress that promises great rewards. Archaeologists believe they have uncovered nearby the tomb of Emperor Ahuizotl, the ruler of the Aztecs when Columbus landed in the New World and uncle to Montezuma. This would be an extraordinary discovery. To date, a royal burial chamber of an Aztec ruler has yet to be located, mainly due to the customary way in which the Spanish built over existing structures. The invaluable information that would be gleaned from such a discovery would be outstanding and perhaps, even monumental.

Warrior

I hope you have enjoyed this information on Mexico’s Templo Mayor, The Aztecs Main Temple in Tenochtilan.

Resource: Mexonline.com

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posted by AetnaJo on Jun 22

The fascinating world of Mexicos’ Huichol Indians is full of mystery, magic and tenacity. Their story is one of triumph over adversity, for the Huichol are a people that remain faithful to their religion, despite hundreds of years of oppression and society’s attempts to assimilate them.

The Huichol represent one of the few remaining indigenous cultures left in Mexico. They live in self-imposed isolation, having chosen long ago to make their home high in the mountains of the Sierra Madre Occidental, in Western Central Mexico. The states they reside in, Nayarit and Jalisco, are popular destinations for travelers seeking beautiful beaches and tropical breezes. Surfing is very popular in this region as is bird-watching and all manners of water sports. However, the Huichol live in the mountainous remote portions of Nayarit and Jalisco, far away from these activities.

Huichol Basket Making

Despite many attempts by outsiders to convert them, the Huichol have remained true to their shamanic tradition, practicing the same rituals that their ancestors did. A highly spiritual people, their religious activities are focused on the ingestion of peyote, a hallucinogenic cactus. Sacred ceremonies are held while under the influence of this hallucinogen, under prescribed conditions and rules of conduct.

The peyote ceremony for the Huichol begins with their journey to find it. The land where this sacred plant grows is located hundreds of miles from where they live in the remote desert of San Luis Potosi. The Huichol call this area “Wirikuta” and it is to this location that they make their annual pilgrimage to collect the sacred peyote. Once, this long journey was made by foot but today vehicles are used to travel to the general vicinity of where the plant grows.

Peyote Bud

Peyote is not an easy plant to find. It grows under bushes and its color, a gray-green hue, blends impeccably with the surrounding terrain. Sometimes peyote is ingested in order to find the plant and traditionally a shaman leads the group of people looking for it.

The quest to locate peyote is considered a hunt and the Huichol seek spiritual guidance from the blue deer, an animal that is a major deity in their cosmology. Bows and arrows are oftentimes carried by the Huichol while on their search for peyote, to symbolize the intent of the hunt. In addition to the blue deer, which is depicted frequently in their artwork, the other major deities found in the religion of the Huichol are maize, the eagle and the sacred plant, peyote.

Huichol Woman Weaving

I hope you have found this as fascinating as I. The world of Mexicos’ Huichol Indians of the Sierra Madre Occidental

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posted by AetnaJo on Jun 19

Baile Guelaguetza

The famous Guelaguetza festival is held each July in the Mexican state of Oaxaca (WA-HA-KA). Also known locally as “Los Lunes del Cerro” (Mondays on the Hill), this celebration takes place on two consecutive mondays. A beautiful cultural event dating back hundreds of years, this festival attracts visitors from around the world.

Participants from the seven different regions of the state gather in the capital city, also named Oaxaca, to dance, sing and play music. This cultural exchange is a visually stunning exhibit of color and movement. The dancers and musicians wear clothing representative of their district. Their costumes, decorated with ribbons and bells, add a wonderful presence to the festivities

In addition to folkloric dance and song, the cultural exchange extends to culinary delights. Regional food specialties are featured, enchanting the taste buds with exquisite flavors. Oaxaca is internationally known amongst food connoisseurs as having exceptionally delicious cuisine. Tantalizing Oaxacan dishes typically feature exotic mole (MO-LAY) sauces accompanied by fragrant aromas.

The roots of the Guelaguetza festival call upon pre-Columbian traditions that have existed for millennium. Indeed, the word “guelaguetza” hails from the Zapotec Indian language and means an offering or gift. Included in the translation is the concept of an exchange, or an act of reciprocity. Guelaguetza was woven into the area’s indigenous cultures as a form of social etiquette and expectation. Its practice benefited everyone involved.

Baile Gueleguetza

Since time immemorial, the area’s indigenous peoples honored the goddess of maize (corn) through ceremony and ritual. Each year at the height of the rainy season (mid-July), the people would gather and pay homage to Centeotl, the corn goddess. These supplications were performed to assure a bountiful forthcoming harvest.

During the Spanish colonial period, Catholic missionaries sought to dissuade such pagan rituals. As a result, the church promoted the feast of the Virgin of Carmen, celebrated on the 16th of July, as a countermeasure to the corn goddess festivities. A hybridization of cultures occurred and the two distinct traditions became interwoven over time, finally evolving into the modern La Guelaguetza festival we know today.

In 1932, the city of Oaxaca held a grand celebration, to commemorate its 400th year anniversary. It was designated a royal city by a decree of King Charles V in the year 1532. This extraordinary event brought together participants from the seven regions of Oaxaca to meet in the capital and share their unique gifts with one another.

An annual event, the Guelaguetza has become extremely popular with both nationals and foreigners alike. The dramatic displays of dance, music and song attracts thousands of visitors each year. Exquisite textiles, ceramics and other native arts are also highlighted with each region represented.

The dates of the festival fluctuate each year, according to the calendar and the following calculations. Typically, the first date falls on the monday after July 16th. However, an exception exists to this formula. Should the monday in question fall on the anniversary of President Benito Juárez’ death (July 18th), the start date is traditionally delayed by one week. Due to the dates changing each year, it is best to check with your travel agent when making your reservations.

Danzaping Guelaguetza

Official ceremonies commence at dawn on the festival’s first day. These celebrations take place on a hill that has a wide panorama of the city. This major landmark, “Cerro del Fortin” (Fortin Hill) has been the site of many events throughout Mexico’s history. It is an ideal spot for the festival and boasts a wonderful open-air amphitheater where the main performances take place.

In the true spirit of guelaguetza, the dancers at the end of their performance toss gifts into the crowd. These offerings represent their region’s specialty and might include straw hats, flowers and even pineapples! In addition to the two monday celebrations, adjacent festivals and parades occur on the weekend preceding the main event and throughout the week.

Women wearing traditional dress accompanied by baskets of flowers provide a lovely element to these processions. Large walking puppets delight the many children who are in attendance. Fireworks complete the festive atmosphere which is charged with electricity. There is a competition to elect a contemporary Goddess Centeotl and reenactments of the life of Princess Donaji, the last Zapotecan princess. The Guelaguetza Festival truly is a wondrous cultural event enjoyed by everyone in attendance.

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posted by AetnaJo on Jun 15

Introduction

In 2010 Mexico will celebrate its 200 years of Independence with national and local public events. The Bicentennial or Bicentenario actually takes in two celebrations: the first being the Bicentennial of two hundred years since Independence (1810) and the second the no less important Centennial of 100 years since Mexican Revolution of 1910.

Mexican Independence Day celebrates the events and people that eventually resulted in independence from Spain, the country that had control over the territory of New Spain, as it was also known then. Fueled by three centuries of oppresion and sparked by a call to revolt by the respected Catholic priest Hidalgo, the first call to arms was made in the village of Dolores, in the state of Guanajuato. The uprising pitted the poor indigenous indians and mixed mestizo groups against the priviledged classes of Spanish descent, and pushed them into a violent and bloody battle for freedom from Spain.

Setting The Stage

Statue in Mexico of Miguel Hidalgo y Costilla Shortly before dawn on September 16, 1810, Miguel Hidalgo y Costilla made a monumentous decision that revolutionized the course of Mexican history. Within hours, Hidalgo, a Catholic priest in the village of Dolores, ordered the arrest of Dolores’ native Spaniards. Then Hidalgo rang the church bell as he customarily did to call the indians to mass. The message that Hidalgo gave to the indians and mestizos called them to retaliate against the hated Gachupines, or native Spaniards, who had exploited and oppressed Mexicans for ten generations.

Although a movement toward Mexican independence had already been in progress since Napoleon’s conquest of Spain, Hidalgo’s passionate declaration was a swift, unpremeditated decision on his part. “Mexicanos, Viva Mexico!”, (Mexicans, long live Mexico!) Hidalgo told the Mexicans who were the members of New Spain’s lowest caste. He urged the exploited and embittered Mexicans to recover the lands that was stolen from their forefathers. That he was calling these people to revolution was a radical change from the original revolution plot devised by the Criollos, or Mexican-born Spaniards.

Miguel HidalgoGroups of Criollos across Mexico had been plotting to overthrow the authority of Gachupines who, because of their Spanish birth, had legal and social priority over the Mexican born Criollos. When Joseph Bonaparte replaced King Ferdinand as the leader of Spain, the Criollos recognized a prime opportunity for Mexican sovereignity. The nucleus of this movement was a group of intellectuals in Queretaro led by the Corregidor of Queretaro (state official), his wife and a group of army officers distinguished by the adventurous Ignacio Allende.

The Criollos plan for revolution did not originally focus on the manpower of the Mexicans. Instead, the Criollos sought to avoid military confrontation by convincing Criollo army officers to sever their allegiance to the Gachupines. By claiming loyalty to the defeated King Ferdinand, the Criollos aimed to establish Mexico as an independent nation within King Ferdinand’s Spanish empire. The Gachupines who claimed authority under Bonaparte’s rule would be driven out of Mexico.

Hidalgo had close ties with this group. Approaching sixty years of age, Hidalgo was beloved and greatly respected by Mexicans. Once the dean of the College of San Nicolas at Valladolid in Michoacan (now Morelia), Hidalgo was a well-educated, courageous humanitarian. He was sympathetic to the Indians, which was unusual amongst Mexican clergymen. Against Gachupin law, Hidalgo taught Indians to plant olives, mulberries and grapevines and to manufacture pottery and leather. His actions irritated the Spanish viceroy who, as a punitive measure, cut down Hidalgo’s trees and vines.

A Decision Is Made

Gachupines were alerted to the Criollos independence movement by Criollo officers who had refused to join the revolutionary movement, and by a priest who had learned of the plot through a confessional. Hidalgo was among the central figures targeted for arrest on September 13, 1810. The Queretaro Corregidor’s wife informed the Criollos of the Gachupines plan. Allende immediately departed from Quertaro to inform Hidalgo.

Allende arrived in Dolores in the early morning hours of September 16. His message forced Hidalgo to make the most signficant decision of his life, a decision which marked the first struggle for Mexican independence and that would distinguish Hidalgo as the national hero of the revolution. The Criollos had not gained enough military alliance to forfeit the Gachupines rule, as the plot had leaked three months before the Criollos target date of December 8.

Hidalgo had three possible options. He could await arrest, flee Dolores or call on the Indian and Mestizo forces. His decision to call the exploited groups to revolution completely changed the character of the revolution, and the movement became a bloody class struggle instead of a shrewd political maneuver.

The Revolution Erupts

Miguel Hidalgo, often called the Father of Mexico. When Hidalgo called the Indians to action, he tapped into powerful forces that had been simmering for over three hundred years. With clubs, slings, axes, knives, machetes and intense hatred, the Indians took on the challenge of the Spanish artillery.

When the indian and mestizo forces, led by Hidalgo and Allende, reached the next village en route to Mexico city, they acquired a picture of the Virgin of Guadalupe, the patron saint whose image was of a woman of color. The Virgin of Guadalupe, who was indigenous to Mexico, became the banner of the revolutionary forces as Hidalgo and Allende led the path toward Mexico City and the expulsion of the Gachupines.

Hidalgo later regretted the bloodbath he had incited with his fateful “Cry of Dolores.” When he made his hasty decision in the pre-dawn hours of September 16, he had not foreseen the mass slaughter of Spaniards. Before the revolutionary troops descended upon Mexico City, Hidalgo retreated with only a few associates to Dolores, where he would be executed by the Gachupines only a year later. Despite his ambiguity toward the violent class struggle that was the Mexican revolution, Hidalgo is still revered as the father of Mexican independence.

Eleven years of war, decades of despotic Mexican rulers and political unrest proceeded Hidalgo’s cry of Dolores. Yet throughout the years of turmoil, El Grito de Dolores, “Mexicanos, viva Mexico,” has persevered. Every year at midnight on September 15, Mexicans led by the president of Mexico shout the Grito, honoring the crucial and impulsive action that was the catalyst for the country’s bloody struggle for independence from Spain. [Text updated April, 2007]

Mexico is so rich in history ad culture. This history of Mexican Independence is just one of many parts of Mexico’s history that I hope you have enjoyed.

Resources: Mexonline.com

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posted by AetnaJo on Jun 7

In the 70’s I had the good fortune to attend Linda Schele’s first class at the University of Texas at Austin. She had wonderful ideas about reading the Maya Epigraphy glyphs. These included spelling the glyphs out, she also included “sense readings of the pictorial elements within those glyphs. [But other views took a toll and soon the "phallus" glyphs reigned supreme, even though none of the Maya codices emphasized such glyphs.]

It has been almost thirty years since that momentous class and in that time, only the rulers’ names, dates of birth, accession and death together with a battle or two have been defined and clarified. Very few, if any, of the “events” other than those stated here have been identified. The discipline seem to have forgotten that language in any land ebbs and flows with such governments. Even in places like Europe and Asia, rulers married only princesses, daughters of other rulers. And these princesses brought with them some of their own customs. They also brought with them an entourage of servants who mixed with the servants of the new households and, in turn, married other servants or city folk.

Shipwrecked sailors appeared once in a while. Hernan de Cortés found two such men in Veracruz, one of which became important enough that he, too, married into the royal households and became a ruler in his own right. Probably, this was due to a higher form of technology he may have been trained in at home. La Malinche became Cortés’s translator very quickly, but it is not until one reads about the Jesuits in Venezuela that one encounters the mamaluccos who had married the natives and became the unwilling translators for the Jesuits.

When one reads the Popul Vuh, written in Spanish and even in various Maya dialects, the story is just a tale that is not true. And when they begin to “read” the glyphs, those texts are immediately forgotten. They appear to put the written texts back on the book shelves and tend to ignore them. They pour over the glyphs, drawing them out, defining some elements as grammar components while tiny elements that actually contain more information are lost.

When Bishop Landa asked a Maya glyph artist to “spell” out a sentence using the glyphs, he did. The Maya scribe apparently was already accustomed to writing out what he may not have understood as a language. His “writing” skills included sounds. In his land alone there were many visitors from foreign areas with different speech patterns. It was necessary that the scribe be familiar with sound, just as a modern stenographer. Seeing that “spelled out” words are possible, now the glyphs emphasizing those “spelling” attributes are used and although referred to sometimes, the visual aspects of the glyphs are ignored. On “spelling” out the glyphs, the big push now, is to create a “proto-language” base, instead of identifying the language that is the source of the “spelled out” or the visually inferred concepts.A case in point is the Initial Series Glyph at the top of the first two columns (or more) of most monument texts. Even in the beginning, it has always been taught only as: “the Initial Series Glyph that identifies the dating sequence of the text.” It has been merely a form of decoration, nothing more. See the ISG inThe Temple of the Sun. It is apparent, that its iconography is very different from other monuments. So when compared with other ISG’s, each monument appears to contain information about the texts found below that Initial Series Glyph.

Another situation is theThe Serpent-Dragon  or the Square Nosed Beastie in the same glyphic text. It is found in a Mixtec codice. Nevertheless, the Mixtec visual is never considered as a possible translation of a Maya glyph. These are only a few examples of missing data. Several more can be found in the Presentation.

I hope you have enjoyed learning about the Maya Epigraphy Methods.

Sources: Mexonline.com

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posted by AetnaJo on May 27

Wreckage of a 21-story steel-constructed building

With Its Own Tradgedy of 1985 In Mind, Mexico Contributes Earthquake Aid To Stricken Haiti.

Mexico is among the many countries contributing earthquake relief aid to Haiti, after that country was hit on January 13th by a devastating 7.0 earthquake. Haiti has a population of between 9 to 10 million people and it is feared that the death toll could run into the thousands.

Mexican television has given extensive coverage to Haiti’s recent quake. And for good reason: many Mexicans still remember the Mexico City earthquake of 1985 which registered an 8.1 on the Richter scale. The result was an incredible toll of death and destruction in one of the world’s largest cities. Haiti’s recent quake brought back memories of Mexico’s own 1985 natural disaster.

The vulnerability of Mexico City to earthquakes
On September 19, 1985, Mexico City was struck by a magnitude 8.1 (Richter) earthquake. Official tallies put the number of deaths at approximately 4,000, but some say that the number was closer to 10,000. Hundreds of buildings collapsed and thousands were damaged. Because most of Mexico City is build over an ancient lake bed, the instability of the subsoil contributed greatly to the damage.

Colonial Mexico City build on an ancient lake bed
When in 1519 Hernan Cortes arrived in the Valley of Mexico, what he and his fellow Spaniards encountered was Tenochtitlan , a city built by the Aztecs on an island in the middle of Lake Texcoco. After defeating the Aztecs, the conquistadors founded Mexico City on the ruins of   Tenochtitlan. Lake Texcoco with its two connecting lakes was slowly drained over the coming centuries. Today, the only remaining portion of that former immense body of water is Xochimilco with its famous canals and floating gardens.

What was learned from the quake of I985
It was on the seemingly dry lake bed that that Mexico City was built, growing in time to the present day metropolis of 20 million inhabitants.

Though the surface lake disappeared long ago the subsoil, as part of an historic water basin, continues to be water saturated. This has been known since colonial times, but it wasn’t until the 1985 quake that a truly strict earthquake building code went into effect. Present day construction now takes into consideration the fact that the underlying ancient lake bed sediments amplify the seismic shaking in the event of an earthquake.

Actually, I had forgotten about this 1985 earthquake in Mexico. This should never be forgotten.

Source: Mex online.com

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