San Augustin Church

Colonial Durango — Victoria de Durango, Durango — staged many of Mexico’s most important historical events. Historic figures, including Guadalupe Victoria, Francisco Gómez Palacio, José María Patoni, José Ceballos, Domingo Arrieta León, Francisco “Pancho” Villa, and Francisco Castillo Nájera carried out their duties within and among the city’s colonial buildings. Many of the city’s important architectural gems, some dating back to the 16th century, still stand today; they provide a colonial backdrop for Durango’s strolling residents and tourists alike.

The Lesser Basilica Cathedral
(Catedral Basílica Menor)

La Catedral Basílica Menor has symbolized colonized Durango longer than any other historic Durangan landmark. The Lesser Basilica Cathedral, better known, simply, as La Catedral is located on Calle 20 de Noviembre in front of the Plaza de Armas (Arms Plaza), between the streets, Juárez and Constitución in the very center of Durango’s historic downtown area. It originally materialized as La Antigua Parroquia de la Asunción —The Ancient Parish of the Assumption — named in honor of the Christian belief that the Virgin Mary was transported to heaven with her body and soul united. The parish earned the title of “cathedral” around 1620, when it quartered the Bishop of Durango, but a fire destroyed it. The church was once again built, and once again destroyed when problems with dampness plagued the building.

In 1695, Bishop García Legazpi ordered the initiation of a new project, designed by Architect, Mateo Nuñez. About a decade and a half later, the principal structure that today towers over of the Plaza de Armas was finished. In 1840, Bishop Zubiría ordered major remodeling of the building but conserved its extreme baroque style.

The cathedral represents one of the most important examples of extreme Churrigueresque architectural style in northern Mexico. Elaborate and extravagant decoration and intricate details — especially in surface ornamentation — characterize Churrigueresque architecture. This style came about at the end of the Spanish Renaissance. Its namesake, Spanish architect José Benito Churriguera (1665-1725) was, along with his descendents, principally responsible for its development. One may observe the Churrigueresque style in the front and side entrances of the cathedral.

Sculptures of Saint Peter (San Pedro) and Saint Paul (San Pablo) and exquisitely detailed sculptures of vegetation and other details adorn the Cathedral’s exterior. Within enormous painted domes, arches and carved wood furniture entertain the eye during mass.

Mural in the Ricardo Castro Library

Visitors can enjoy the Cathedral both at night and during the day. Natural daylight favors observation of the interior’s stained glass windows and painted domes, and the exterior is splendidly illuminated at night. One may also observe the cathedral as a prominent landmark on the Durangan landscape from the Cerro de los Remedios.

In addition, the cathedral hosts the legendary shadow of “the nun” (la monja) who eternally awaits the return of her love. One may see the shadow of the nun from sidewalk on Constitución street.

Administration Building of the Juarez University of the State of Durango
(Edificio Central de la Universidad Juárez del Estado de Durango)

Many of northern Mexico’s historic intellects, politicians, and clergy were educated within the classrooms of today’s Administration Building of the Juarez University of the State of Durango. During much of the 20th century, it housed one of the most important educational entities in northern New Spain’s New Vizcaya Province, approximately equivalent to what are, today, Chihuahua and Durango.

The building’s main access, located on Calle Constitución between the streets 5 de Febrero and Pino Suárez, is nestled in a quarry stone patio alongside the Temple of Our Lady of San Juan de los Lagos (Templo de Nuestra Señora de San Juan de los Lagos), which shares a long history with the present university building. A sketch of its detailed façade appears to date on university letterheads and logos.

The university building’s history as an educational site dates as far back as the 16th century when Señora Eufrasia Vázquez de Cubia, the property owner, and Jesuits began to teach children from the Durangan village . In 1596, Fathers Francisco Gutiérrez, Gerónimo Ramírez and, possibly, Juan Agustín de Espinoza, Pedro de la Serna, and brothers, Juan de la Carrera and Vicente Beltrán became the new occupants of the property.

In 1856, Don José de la Bárcena founded the Civil College of the State (Colegio Civil del Estado), which moved into the building in 1860. Following the death of Benito Juárez, the Governor, responding to a request from students and teachers of the college, renamed it Instituto Juárez (Juarez Institute). With its incorporation into the University of Mexico (Universidad de México) in 1938, it adopted the slogan “Por mi raza hablará el espíritu,” a modified version of a phrase authored by Don José Vasconcelos. In the original phrase, Vasconcelos referred to the voice of the spirit that emanates from one’s roots, an important concept in Mexico’s mestizo culture.

Elevated in 1957 to the status of university, he institute received its present name — Universidad Juárez del Estado de Durango, and the building, to date, serves as the university’s principal administrative center. The main structure centers around a palm-shaded garden. Some of the interior spaces such as the President’s conference room and the Laureano Roncal auditorium are furnished with pompous, carved wood furniture.

House of the Count of the Suchil Valley
(Casa del Conde del Valle de Súchil)

One of Durango’s most beautifully decorated colonial buildings is the House of the Count of the Suchil Valley, location today’s Banamex Bank, on the corner of Calle 5 de Febrero and Francisco I. Madero. It was originally a home owned by wealthy miner and landowner Joseph del Campo Soberón y Larrea, Count of the Valley of Súchil. In 1763 and 1764, Pedro de Huertas designed its beautifully sculpted baroque fascia and interior. Sculptures include intricate vegetation, shells, ribbons, flowers, fruits, and an image of Saint Joseph and the Christ child. Arches in the interior patio and decorated pillars surround the bank’s main floor, where clients now wait to carry out bank transactions.

Churrigueresque style church adorned with Quarry stone sculptures

Cathedral in Plaza de Armas in Durango, Mexico

Ricardo Castro Theater
(Teatro Ricardo Castro)

At the end of the 19th century, the Compañía Constructora y Explotadora del Teatro de Durango was formed with the objective of constructing a playhouse. The company lived until the beginning of the 20th century, when the first stone was laid and thereafter dissolved, leaving the building in the hands of the state government. The building fell into the private sector and became a movie theater, known as the Cine Principal.

Grandeur marks the neoclassic theater’s entrance, with massive stairs leading up to arched entranceways and, eventually, to crystal-windowed wood doors guarded by iron gargoyles. A statue of the theater’s namesake, Mexican concert pianist and the last romantic composer of the Porfirio Díaz era, stands on the corner of the Avenue 20 de Noviembre and Bruno Martínez Street. Above the entranceway, generously sculptured arches framing wood and crystal doors overlook the avenue.

Inside, in the reception area, before an event, one may observe Durango’s culture lovers in conversation, standing on marble floors beneath white arches or in front of a large wood carving, illustrating the city of Durango. The reception provides a serious introduction to the enormous audience seating area within the velvet curtain-covered entrance. Within the seating area, enormous, rather erotic paintings depicting the exploitation of the Cerro del Mercado (Market Hill) above the Colonial City of Durango frame, along with enormous white pillars, the stage where performers entertain Durangan audiences.

In 1991, the theater was donated by the President of the Mexican Republic as patrimony of the Durangan people, and has since hosted cultural events for large Durango audiences.

Victoria Theater
(Teatro Victoria)

Some may consider the Victoria Theater a bit modest to be considered among Durango’s top architectural gems, but its quaint, simple elegance and relatively small, tiered seating make it a cozy setting for medium-sized theatrical, musical, and other cultural events. It really deserves a visit.

Located next to the Governor’s Palace on Calle Bruno Martínez, the theater was originally called the Zambrano Coliseum and Theater (Coliseo y Teatro de Zambrano). Juan José Zambrano, a wealthy miner, alderman, and mayor in Durango, ordered the construction of the theater as an addition to the Governor’s Palace, for his personal use. The building was inaugurated in 1800 and rebuilt or remodeled between 1909 and 1910 in celebration of the 100th anniversary of national Independence, hence, its new name, Teatro Victoria, to honor Guadalupe Victoria, Mexico’s first president. In 1980, it was again remodeled by order of Dr. Héctor Mayagoitia, the state’s Governor, at the time, with the goal of promoting the development of the arts in the state.

The building’s facade is modestly colonial, as is the tastefully designed reception area. The theater’s attractiveness lies within. A horseshoe of several tears of balconies, each directly above the previous, surrounds main floor seating, and nearly all of the seats provide a right-up-close look at performing artists. Wooden banisters and lots of textiles make the theater acoustically comfortable, and low, but adequate lighting provides a marvelous setting for one to contemplate more than a century of cultural events as one awaits the third call. Visitors to the City of Durango should definitely check the theater’s schedule to see if there’s an interesting event there while in Durango.

Regional Museum of Durango
(El Museo Regional de Durango)

Locals know the Regional Museum of Durango on the corner of streets, Victoria and Aquiles Serdán as “El Aguacate,” (The Avocado), in reference to a tree in the museum’s garden. Built during the second half of the 19th century, it was home of Francisco Gómez Palacio, ex-governor of the state. The structure has served as a pay station for revolutionary troops, the civil register court, the municipal president’s office, the headquarters of the Supreme Court of Justice, as a schoolhouse and as a public library. The museum opened as part of the Universidad Juárez del Estado de Durango (see above) in 1989, and it displays important elements of the state’s history.

Stanislao Sloneck designed the building to reflect French influence and constructive style, which were popular at the time of its construction. Like many buildings of the period, it is built principally of quarry stone. However, the interior is pleasantly decorated with wood finish, giving it warmth uncommon in many of the region’s colonial structures.

Saint Augustine Temple
(Templo de San Agustín)

Born as a simple prayer area, the Saint Augustine Temple, along with its plaza, has grown into one of Durango’s most visually pleasing architectural gems. Its construction began in the beginning of the 17th century with its foundation by Fray Gonzalo de Hermosillo. Its initial construction took nearly a decade and a half, and remodeling and additions were still in process during the 19th century when master mason Benigno Montoya added a Neogothic façade, including simple decorations on the columns and religious figures.

Governor’s Palace
(Palacio de Gobierno)

Juan José Zambrano (see above) ordered the construction of the Governor’s Palace at the end of the 18th century. It is located on Calle 5 de Febrero in front of the Plaza Cuarto Centenario, between Bruno Martínez and Zaragosa streets. The building was occupied by the governor once Mexican Independence was established, and it is the site of today’s state governor’s offices.

The two-story structure is of quarry stone and the entrance way and interior are adorned by arches on stone columns. In the building’s interior, one finds mural paintings of historic events in Durango history painted by Francisco Montoya de la Cruz (1950) and Ernesto Flores Esquivel (1981). The upper story features a balcony from which the state governor participates, each year, in the Shout for Independence celebration. President Benito Juárez resided in the Governor’s Palace upon his return from the Paso del Norte (the Northern Pass, which is today’s Ciudad Juárez, Chihuahua). Juárez is commemorated by a sculpture within the building, as well as by a large sculpture in the plaza in front of the palace.

Governors Palace in Durango Mexico

San Augustin Church

Governor’s House
(Casa de Gobierno)

Built in the 19th century and containing remnants of construction dating back to the 18th Century, the Casa de Gobierno currently houses state executive offices. It was home to governors at one time. It is located on Calle Bruno Martínez between Coronado and Aquiles Serdán. The building features attractive quarry stone and abundant hallways among gardens. Aside from its function as an office building, it hosts numerous meetings and events in its conference room.

Municipal Palace
(Palacio Municipal)

Located on 20 de Noviembre Avenue and Victoria Street, the Municipal Palace is a neoclassical style building built in 1898 as the private residence of Pedro Escárzaga, a wealthy Durangan miner. Inside, a mural by Francisco Montoya de la Cruz depicts historic moments in Durango’s history, including the conquest of Nueva Vizcaya, discovery of the Market Hill (Cerro del Mercado), the Revolution, and the Independence movement. The building has served as the Durango Town Hall (Ayuntamiento de Durango) since 1930.

The Train Station
(Estación de Ferrocarriles)

On Octubre 16, 1892, the first train arrived at the Durango Train Station, located on Felipe Pescador Avenue at the head of Calle Bruno Martínez. Architect Manuel Ortiz Monasterio built the station in 1920, but one of the structures in the train yard dates back to 1893. Outside the station, Durango’s last steam engine, number 900, has been conserved, and gardens in front of the station make it an attractive site for visitors.

I have mentioned only a portion of Durango’s interesting and important colonial treasures. Architecture fans can see many more colonial gems just by strolling the streets in Durango’s historic downtown area. In addition, many of the downtown buildings have been recently remodeled or restored to colonial style, and much of the downtown area has restored quarry stone sidewalks. The municipality has also invested in ground-level and structural illumination that make many of the landmark buildings outstanding sights in the evening.

More information on colonial buildings in Durango and other tourist attractions is available in Spanish, within web pages from Mexico Desconocido (http://www.mexicodesconocido.com.mx/notas/7908-Durango,-Durango), the Instituto Nacional de Información Estadística y Geográfica (http://mapserver.inegi.gob.mx/geografia/espanol/estados/dgo/dgo-it.cfm?c=590&e=10&CFID=2610500&CFTOKEN=49566404#arqrel), and in the Municipality of Durango’s photo gallery (http://www.unidosporti.gob.mx/galeria).

Published or Updated on: November 23, 2009 by Jeffrey R. Bacon  © 2009
Contact Jeffrey R. Bacon.   Pictures by Jeffrey R. Bacon

Re-Published or Updated by Aetna J B on January 30, 2011

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Talavera Plate

Talavera Poblana is an exquisite type of pottery whose history goes back hundreds of years. The lovely and beautiful colonial city of Puebla, located just 70 miles from Mexico City, is home to this world-renowned art form. In addition to purchasing authentic Talavera pottery in Puebla, there are many reasons to visit the city, including sampling its fabulous regional cuisine. Some of Puebla’s delectable dishes include their famous mole poblana sauce as well as the seasonal delicious dish of chiles en nogada. Additionally, the historic center of Puebla has been named a UNESCO World Heritage Site. Undoubtedly, one of the reasons for this honor is due to the absolutely stunning tile work that decorates the town’s historic colonial buildings.

Mexico has a rich and long history with producing ceramics, predating the arrival of the Spanish by several centuries. Stunning pre-Columbian artifacts from its many civilizations attest to this fact. The indigenous peoples of Mexico, long acquainted with making items from clay, had their own distinct method of producing earthenware, one which did not involve glazing or the use of the potter’s wheel.

Shortly after Puebla was founded in 1531, the Spanish feverishly began building churches, monasteries and convents. To decorate these buildings, craftsman from the city of Talavera de la Reina, located in Spain, were commissioned to come to the New World to produce fine tiles as well as other ceramic ware. In addition, these same craftsman were to teach the indigenous artisans their technique of Majolica pottery, in order to increase production levels.

The tradition that the Spanish craftsmen brought from Talavera de la Reina to the New World has a fascinating history. During the 8th century, the Moors from Northern Africa conquered Spain and with their arrival, the customary blending of cultures occurred. One such consequence was the introduction of Majolica pottery, an art form known for its beautiful glazes and intricate design work. A major component of Majolica is its glazing technique which contains tin as an ingredient. This particular type of glaze provides a creamy white background that is ideal for applying design.

Spanish craftsman from Talavera de la Reina embraced the techniques of Majolica and also added to the art form. Chinese and Italian influences were incorporated and guilds of craftsmanship, where strict adherence to technique were required, were formed. This dedication was brought from Spain to Mexico. Guilds were summarily established in Mexico with appropriate standards and regulations. The indigenous craftsmen incorporated their artistic heritage with the techniques of Majolica pottery. A beautiful marriage was formed between the old world and the new, and Puebla became the birthplace of an exquisite art form known as Talavera Poblana.

Talavera Urn

An elaborate process is involved in making a piece of Talavera pottery. First, comes the selection of the clay, which is chosen from the area of Puebla and nearby vicinities. The clay found in this region is known for its fine quality. After a detailed process of washing and soaking the clay, it is then hand-formed or shaped on a potter’s wheel into its desired form. Next, it is allowed to dry in the sun for a matter of days, after which it is fired at 2,000 degrees Fahrenheit. A test is performed at this point, making sure there are no cracks in the object. This is followed by an initial glazing process after which the hand-painted design is applied. This stage differs in length, dependent upon the intricacy of the design work involved. A final firing is performed. Before being offered for sell, a certification process is next on the agenda. This is to ensure that the piece meets regulations and the level of excellence in craftsmanship has been achieved. It is at this time, provided all conditions have been met, that the piece is stamped with the maker’s mark along with a registration number.

One characteristic of authentic Talavera pottery is the quality of detail in the painting, expertly applied. There is a raised appearance to the painted line, accompanied by a glossy sheen. Only natural earth pigments are used for the colors found in true Talavera. In its early days, the finest pottery was painted with a deep blue mineral, the most expensive pigment. This color motif, placed on the creamy white of the fired clay, was much sought after. It also provided a quality measure, reassuring the buyer that the piece they were purchasing was of the highest caliber. Other colors were introduced in 18th century, including yellow, green and mauve.

Today, when visiting the city of Puebla, you will be able to purchase authentic Talavera tiles, vases and dishes, along with many other fine Talavera objects. As well, you can see first-hand how Talavera tiles were used extensively in the decoration of the city’s historic churches, monasteries and ex-convents.

MEXonline.com

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Since the beginning of the history of Mexican ceramics, ceramics took a prevailing place in the lives of Mexican people. Since the appearance of the Olmec culture, which is considered to be the “mother of the Mesoamerican cultures,” anthropomorphic figures, vessels and various types of utensils found in the archaeological ruins of the ancient Olmec cities of Tajin, San Lorenzo, La Venta and Tres Zapotes, all suggest the techniques they used in their ceramics: use of clay, knowledge of some primitive firing techniques and their ways of painting designs and coloring.

The Olmecs (1500 B.C. – 800 A.D.)  left their knowledge to the future cultures.

The Teotihuacans transcended their era (1500 B.C. – 800 A.D) made most of their vessels with clay and decorated them with a variety of techniques: mainly stucco, smoothing and painting.

The Aztecs (1325 A.D. – 1521 A.D.) pottery varied widely. They made all types of earthenware, pots, cups, jugs and plates, mostly with orange and red clay.

The Mixtecs stood out for their polychrome lacquer ceramics. After polishing each piece, they would cover it with white stucco and then paint over it.

Over to the north of Mexico the Casas Grandes (100 A.D. – 1360 A.D.) produced beautiful polychrome ceramic. They made them basically with geometric motives and influences from the Mimbres Culture.

Every region had its own unique characteristics of Mexican ceramics. Yet, in all these cultures, the potter himself was given very much importance. The Aztecs summed it up this way:

“A good potter:

• He puts great care into his work,
• He teaches the clay to lie,
• He speaks with his own heart,
• He brings life to things,
• He creates them,
• He knows  everything as if he were a Toltee
• He makes his hands skillful.”

The same ancient techniques used to make Mexican ceramics are still being used today in some parts of Mexico. These groups were able to preserve the artistic techniques such as coil building, natural pigments and open firing.

This colorful ceramic decor will make any room or patio come to life. What room would you like to decorate with colorful Mexican ceramics. It’s easier than you think and I am more than happy to help.  

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Talavera- Mexican Earthenware

Due to the Spaniards arrival, the blending of societies allowed the indigenous people of Mexico to learn combinations of styles that gave life to some of the more famous ceramic styles of  Mexican Earthenware such as Talavera or “majolica”.

Talavera from the state of Puebla is a descendant of the Arabic-Andalusion tradition, which began in the ninth century in Spain when the influence of the Arabic culture passed on its techniques to peninsular potters. In Talavera, de la Reina, Spain, it was very popular and it took a characteristic stylistic form in the 16^th Century. It was brought to the Americas, especially Nueva España (the new Spain,) as was the name that Mexico was called in colonial times.

Although the Mexican Earthenware Talavera is only produced in the state of Puebla, other majolica type earthenware is also produced in places such as Dolores Hidalgo, Guanajuato and San Miguel de Aallende.

As we go further west, in Tonala, Jalisco, which is another state in Mexico, there is a long tradition of ceramic production. Here in Jalisco, there is a more of a Persian influence, including such things as stew urns and the use of gold and silver.

In the city of Metepec in the State of Mexico, the ceramic tradition has been influence by Christian beliefs. This is where they create the well-known, arboles de la vida (trees of life,) because it explains the origins of life.  Most of the time there are figures of God, angles and Adam and Eve. Also popular are the figures of the serpent and some fruits. Red Ware is used to make things such as cooking pots, dishes and table dishes all of which are typical of the state of Michoacan.  The state of Oaxaca is famous for its barro negro or black clay.  The small town of Mata Ortiz in the state of Chihuahua, stands out for its beautiful pottery as well.

Within Talavera Mexican Earthenware, there now exists new forms and new designs for typical Mexican artwork. Late in the 1950s, stoneware or High Temperature ceramics appeared in Mexico. The origin of this type of ceramics is from China, Korea and Japan.

Mexican Ceramics bring together influences of pre-Hispanic, European, Arabic and Oriental Cultures. Whichever technique, Mexican ceramics have a flavor and individuality that is appreciated for its quality and art worldwide.

Talavera has such beauty that it has the ability transform any room. I am a big fan of Talavera and would love to help you get what you need or want.

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Huichol Bead Work

Huichol Mexican Arts

One of the four indigenous groups living in the region known as the Gran Nayar, and have had big influence in Mexican Arts are the Huicholes. This region is located in the southern part of the Sierra Madre Occidental Mountains.

The Huichol people have made large contributions in the area of handicrafts within the Mexican Arts. The customs and traditions of this fascinating group of people are not well known as they are seldom seen outside of the central western region of Mexico, where they live.

The Huichols are known for their handicrafts, clothing, and food and ritual items. The characteristic style of dress for Huichol females is their short cotton blouse and flowering skirts. Their outfits are embroidered with colorful designs. They wear bright colored handkerchiefs that cover their hair and are bedecked with intricately detailed jewelry that is made of small beads. These tiny beads, which are known as chaquira or seed beads, play an integral role in Huichol handicrafts.

The Huichols creations include beaded jewelry and their ever famous ornate masks and other artisanal objects that are completely covered with beads. These eye catching pieces are made with the skillful placement of each individual bead on a layer of beeswax or Campeche wax that coats the surface of their pieces. The result is stunning handicrafts which are covered in a dazzling array of vibrant beaded patterns.

The Huichol are also known for their yarn paintings which are made in a similar way as their beaded handicrafts. Whether on a mask or on a piece of wood, it is covered in wax and then covered with colorful strands of yarn that are coiled into different designs.

The Huichol Mexican Arts provide an insight of their vibrant and complex culture. Their artwork and wardrobe, as well as their customs and traditions make them a fascinationg group of people.

I have seen many of the Mexican Huichol’s beaded jewelry, clothing, masks and yarn paintings and so much more and am happy to share my knowledge and opinions with you.

Huichol Beaded Sun

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Mexican Decor - Wall Sun

Are you thinking about adding some life to your home?  An always refreshing festive look could make a huge difference in your home’s appearance.  Decorative Mexican Art Work and Southwestern décor are artrs that can  inspire and refresh your senses and can help you uniquely identify your home.  Mexican décor can include, southwestern lighting, metal wall art, Mission table lamps, southwest switch plate covers, Kokopelli towel bars, novelty accessories and more.

In most Native American Languages, there is no word for ‘art’ because it is synonymous with prayer.  There is much art in most native tribes, such as the Huichol of Mexico who create their art by applying seed beads to wax covered bowls and figurines with a long needle.  As we think about this, we begin to understand the concept of the art as meditation.  In order to accomplish this, the artist must be focused and his brain waves slowed down to an alpha state.  The idea of art as prayer gives reference to artists and spiritual significance to their creative work.

Decorative mexican artwork and top Native Americans art represents all those things in life which bring us joy; children, family, love, environment, spirituality and culture.  Turquoise represents the people.  It is symbolic. Native Americans are often symbolized by the color “red,” but this misrepresentation that was created by the Europeans.  Native Americans did not think of themselves as “redskins,” which many of the people feel is a derogatory term.  They thought of themselves as Turquoise because it is a native stone and because the different matrix in each piece of Turquoise is symbolic of the uniqueness found in human nature.

With a this in mind you can see each piece of decorative mexican art work and visualize the beauty of its’ origin. Whether it is Telavera, Kokopelli, or rustic southwestern, you are now better able to give your home a refreshed festive look with Native American art. I am always more than happy to help you.

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Mexican Decor - Table with decorative vace

There is such beauty in Mexican goods.Mexico’s decor can transform any room into a beautiful festive place. It is also able to turn your back yard into a wonderful party area. Mexican decor can include everything from kitchen napkins to lighting fixtures.

So what is it about Mexican goods such as furniture and decorations that make them so sought after?  Is it the festive mood it brings with it or could it be the traditional designs? Maybe it’s the pottery, antiques, textiles, clothing or fine arts.  Whatever your wants or desires are, if it’s Mexican made, it’s authentic and often, it’s a one of a kind.

Decorating is fun and easy. You can start with as little as you want and take one area or room at a time. Many prefer to begin with the kitchen and back yard as it is most often where gatherings or parties are held.  There is, of course much more to Mexican decor than party supplies such as antique furniture, beautiful colorful blankets and table runners, dishes and so much more.

Accessories are of most important when it comes to Mexican goods and decorating. The designs and colors are vast but all have the same quality and beauty. If planned properly, even a little Mexican decor can dramatically brighten up any room.

A well rounded combination of uniqueness and colors will make any room come alive. If custom creation is what you are looking for, I am more than happy to help. Having lived in and with the Mexican culture my entire life has given me a special authentic taste for all kind of Mexican Goods.

So, go ahead and liven up your house. Whether it be for adding spice to your kitchen or decorating for a party, I can help.  Dare to custom decorate your house, one room at a time.

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