posted by AetnaJo on Feb 21

The Monarch butterfly, a beautiful insect known for its orange and black markings, is famous for its annual migration to the highland forests of Michoacan,  deep in the heartland of Mexico.

Each year, hundreds of millions of butterflies travel from the United States and Canada, to winter in forests of Fir and Oyamel trees. Those butterflies that survive the journey, which in some cases amounts to a 2,000 mile trip, cluster profusely in trees, creating a marvelous sight.

Near Morelia, the capital of the state, is the Santuario Mariposa Monarca (Mariposa Monarch Sanctuary), a reserve dedicated to protecting their environment. Allocate a day’s travel to reach the sanctuary from the city of Morelia.

Monarch Butterflies, Michoacan

Each year, starting in late October to early November, the butterflies start to arrive. Incidentally, this time period coincides with the Dia de los Muertos (Day of the Dead) holiday. The indigenous peoples of the area believe the butterflies represent their departed loved ones souls, returning in the form of the butterfly. During the evening hours, the insects gather on tree trunks and branches. After morning arrives and the heat begins to rise, the butterflies begin flocking to the forest floor, creating a tapestry of orange and black as far as the eye can see.

Starting in March, the butterflies begin to mate and the pregnant females start their journey north and the cycle begins again. What is amazing to note is it takes from 4 to 5 generations of butterflies to make the journey from the northern regions to Mexico. Those butterflies that do successfully arrive, actually are the great grand-children so to speak of the journey’s first butterflies.

Weather conditions can adversely affect the butterflies’ journey. In 2002, a devastating storm struck central Mexico, with inundating rain and freezing temperatures proving fatal to large numbers of Monarchs (an estimated 250 million insects perished). Thankfully and perhaps miraculously, the following year, between 200 to 500 million butterflies returned.

Monarch Migration Routes

However, illegal logging continues in the forests that these butterflies travel to. Without the trees, no miracle can save these wonderful creatures. The local farmers, with their focus on day-to-day survival, cut down the trees unconsciously, to clear the land in order to plant corn and raise livestock. Organizations are in place that work with the farmers, providing education and incentives to dissuade them from cutting down the trees that the Monarch butterflies call home. The hope is that a self-sustaining eco or rural tourism can be developed that allows for the local population to benefit indirectly from this natural wonder.

Note: The greatest present danger comes from outside loggers who illegally harvest timber which is later hauled out using a network of clandestine roads. Since the people involved in the illegal logging are often armed, the local people have found it necessary to ask for federal intervention.

Resource Mexonline.com

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posted by AetnaJo on Feb 17

East Cape Luxury Home

The East Cape region of Baja California Sur is an area of pristine coastline that is located on the Sea of Cortez (Gulf of California) and covers approximately 50 miles of natural landscape. The area begins on the coastline just east of La Paz and extends south to the city ofSan Jose del Cabo .

Anglers come to these abundant waters to fish while divers enjoy the clear waters that team with over 800 species of fish. The waters off the East Cape region are justifiably famous in the sports-fishing world. The variety of species coupled with their amazing numbers make this area a true dream for the fisherman. Yellowtail, tuna, marlin, dorado, roosterfish and pompano are just a few examples of the fish that can be found in East Cape waters.

Off the coast of Cabo Pulmo is the Pulmo Reef National Marine Reserve which offers a splendid living coral reef for diving explorations. In fact, this marine park offers the only living reef system in western North America and was designated a national marine park in 1993. Some species of fish within this reserve are found nowhere else in the world. In addition to the variety of rare and beautiful fish, sea turtles, giant mantas and hammerheads can also be seen here. The best time to dive and snorkel in these waters is from March through October when visibility is at its optimum.

Buena Vista, another town found in the East Cape region, is where many fishing and diving excursion trips are launched. Los Barriles is the largest city in the area and windsurfing is very popular here. There is a wind tunnel that travels through the mountains nearby which creates a strong air current over the ocean. From November through April, windsurfers regularly travel 20 miles offshore with these winds and have the ride of their life.

Although the East Cape region of Baja California Sur is only an hour’s drive from Los Cabos , it offers the traveler an altogether different experience. The area is rugged and the environment retains much of its natural landscape with minimal development. Miles upon miles of deserted beaches with white sandy beaches and clear blue waters greet the visitor. Whale watching is a favorite pastime in this region and kayakers also enjoy these waters as the Sea of Cortez offers fine conditions for this sport.

You will find that the East Cape Region has a variety of accommodations to choose from, ranging from camping on the beach to staying at a luxury resort.


Published or Posted by Aetna Jo on February 18, 2011

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posted by AetnaJo on Feb 13

Vacation destinations of Mexico

Templo Mayor, Modern Day Mexico City

Templo Mayor - Visiting Mexico City is an exciting proposition, one that promises the traveler many opportunities for adventure. A grand metropolis with one of the world’s largest populations, the city is an international destination for many travelers. Today, Mexico City offers the visitor the chance to explore one of the most extraordinary archaeological discoveries of the 20th century.

Located in the heart of the city, the Templo Mayor Museum and ruins are a must-see when visiting Mexico. In 1978, a worker digging a city construction project near a downtown cathedral hit something big and hard with his shovel. The object in question was a 500 year old stone sculpture depicting an ancient Aztec goddess. This huge stone sculpture was no ordinary find. An incredible work of art depicting the moon goddess Coyolxauqui, this sculpture was the tip of the proverbial iceberg.

Archaeologists were immediately summoned to the site and what was determined next was nothing short of incredible. The scientific community conceded that this magnificent sculpture provided evidence that what lay hidden underneath the streets of modern day Mexico City, was in fact, the ruins of the ancient Aztec capital of Tenochtitlan. More astounding yet, the ruins appeared to be those of the capital’s great pyramid, the Templo Mayor.

It has long been known by historians that the Spanish conquistadors, upon seizing control of Tenochtitlan in 1521, destroyed the Aztec city in order to establish their own. Temples were torn down and priceless artworks decimated. Spaniards built atop the structures they had razed, thereby erasing any vestiges of the once great city of Tenochtitlan. These ancient ruins and their mysteries, which are still unfolding, may have forever remained submerged underneath tons of rock and concrete, had it not been for that city worker in 1978.

Mexico was initially hesitant to destroy historic colonial buildings that lay atop these ancient ruins. Nonetheless, the decision was made to do just that. The legend surrounding the founding of Tenochtitlan is one that still lingers in the collective consciousness of Mexico today. Indeed, the country’s flag represents this legend graphically. An eagle is depicted, perched upon a cactus, devouring a snake. This was the sign that the ancient Aztecs sought in determining where to build their temple. According to legend, the Aztecs did encounter such an omen and the construction of Tenochtitlan and its great pyramid, the Templo Mayor soon commenced.

Construction on the temple began in 1390. When it was completed in 1487, in order to commemorate the event, thousands of people were sacrificed over a 4-day period. The temple stood 200 feet tall with dual shrines atop its precipice. One shrine, dedicated to Huitzilopochtli (god of war and sun) stood adjacent to the shrine dedicated to Tlaloc (god of rain and fertility).

Today, when visiting the site, some artifacts remain “in situ”, giving the visitor the opportunity of seeing the objects in their original setting. However, the site’s museum houses the majority of artifacts excavated thus far, approximately 6,000 objects.

Aztec Godess, Coyolxauqui, Tempol Mayor
Coyolxauqui
Templo Mayor
Templo Mayor showing different stages
Aztec Warrior and standard bearer, Templo Mayor
Aztec Warrior

One terrifying discovery, the Wall of Skulls, features panels of real human heads covered with stucco. The museum also showcases two clay statues of Aztec warriors, life-size and resplendent in eagle costumes.

Excavations are ongoing with one currently in progress that promises great rewards. Archaeologists believe they have uncovered nearby the tomb of Emperor Ahuizotl, the ruler of the Aztecs when Columbus landed in the New World and uncle to Montezuma. This would be an extraordinary discovery. To date, a royal burial chamber of an Aztec ruler has yet to be located, mainly due to the customary way in which the Spanish built over existing structures. The invaluable information that would be gleaned from such a discovery would be outstanding and perhaps, even monumental.

Resources: Mexonline.com

Re-Published or Posted by Aetna Jo B on February 13, 2011.

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posted by AetnaJo on Feb 7

Rufino Tamayo, a Oaxacan painter of international renown, was one of the great modern artists of the 20th century. Tamayo died in 1991 at the age of 91 and had a long and esteemed career. His artwork can be found in important collections worldwide. During his life he was the recipient of many prestigious awards, including France’s Legion d’Honneur.
Tamayo was a prolific artist who was a master of many mediums, including oil, watercolor and lithography. The artist, in addition to producing works on paper and canvas, was also a muralist whose work adorns the walls of museums, universities and libraries throughout the world. Additionally, Tamayo pioneered a new print-making technique known as mixografia with several of his works produced in this medium. This innovative process allows a traditional lithographic print to be created in relief which produces fine surface detail as well as volume. In his later years, Tamayo added sculpture to his artistic repertoire, utilizing his own paintings as a source of inspiration for subject matter.

Rufino Tamayo was a contemporary of fellow Mexican artists Diego Rivera, Jose Clemente Orozco and David Alfaro Siqueiros. Unlike these muralists, however, whose work held strong political commentary, Tamayo eschewed this path and forged his own. The subject matter found in his work is apolitical and purposefully so.

Although his work is embedded with distinctly Mexican roots, both in color and in subject, Tamayo’s art is ultimately a response to universal and not temporal matters. Tamayo’s lack of enthusiasm for political commentary was not appreciated by Rivera, Orozco and Siqueiros who firmly prescribed that important art had to address the societal injustices of the day. Finding his work criticized in Mexico, Tamayo left the country to live for extended periods in both the United States and France. This decision proved beneficial for Tamayo who created many of his important works abroad.

Born in Oaxaca to parents of Zapotecan Indian ancestry, Tamayo’s cultural heritage is evident in his artwork. Orphaned at a young age, Tamayo was sent to live with his aunt in Mexico City. The young artist worked as a vendor at his aunt’s fruit stand, helping her sell produce. The bright and beautiful colors of the tropical fruit has been credited as influencing the artist’s future palette. This experience also provided the catalyst for a favorite motif of Tamayo’s, namely the watermelon, which is depicted in many of his works. As a young man, Tamayo attended the Escuela Nacional de Bellas Artes, San Carlos, in Mexico City but left before graduating to pursue his studies independently.

After leaving school, Tamayo accepted a position at the Mexican Archaeological Museum. This proved to be a pivotal turning-point for the artist. At this museum, Tamayo was responsible for copying copious amounts of pre-Columbian artifacts by hand. This activity enormously influenced his future work. Through this process, Tamayo became intimately acquainted with the artwork of his ancestors which in turn, greatly shaped his artistic vision and expression. Additionally, Tamayo was also inspired by European modern art movements, especially the work of the Cubists and also that of the Surrealists.

Throughout his life, Tamayo and his wife amassed a wonderful collection of pre-Columbian treasures which today reside in the Museo Rufino Tamayo Art Museum, located in his home state of Oaxaca. Additionally, works of Tamayo and other modern masters, can be found in the Tamayo Contemporary Art Museum in Mexico City. This collection, which Tamayo and his wife orchestrated, was generously donated by the couple to the people of Mexico.

Watermelons, Rufino Tamayo
Watermelows
Rufino Tamayo
Rufino Tamayo
Tres Personajes, Rufino Tamayo
Tres Personajes

Recently, an amazing story unfolded concerning one of Tamayo’s famous works. The painting, entitled Tres Personajes went on a mysterious adventure after being sold for $55,000 to a patron in the 1970′s. During a move in the 1980′s, the piece disappeared from a storage locker. It was not seen again until 2003 when it was spotted in an alleyway in New York. The large brightly colored canvas was placed outside with the trash, placed between two large dumpsters. A woman, who was on her morning walk came across the painting. Initially, she was reluctant to bring the painting back to her small apartment due to its size. However, there was something about the painting that spoke to her. The woman fortunately listened to her intuition and it was a good thing she did. The painting recently sold for over $1,000,000 at auction. The woman enjoyed a reward of $15,000 from the painting’s owner plus a finder’s fee from the auction house.

Considering the quality and mastery of Tamayo’s paintings, it is easy to understand why the woman was compelled to retrieve the painting from its incongruent surroundings. Tamayo’s paintings actually glow from within. The artist had a command of color that was sublime and his subject matter transcends individual commentary. Perhaps the following quote from Octavio Paz, the Mexican poet and Nobel laureate, sums up the work of Rufino Tamayo best- “If I could express with a single word what it is that distinguishes Tamayo from other painters, I would say, without a moment’s hesitation: sun. For the sun is in all his pictures, whether we see it or not: night itself is for Tamayo simply a sun carbonized”.

Resources: Mexonline.com

Posted on February 7, 2011 by AetnaJo B.

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posted by AetnaJo on Feb 3

Aguascalientes is a beautiful colonial city in north central Mexico. Located in the state of Aguascalientes, this historic city was founded in the year 1575. The name Aguascalientes means “Hot Waters” and both the city and state were so named due to the abundance of naturally occurring thermal mineral springs in the area. Originally, the Spanish strategically chose the city of Aguascalientes to establish a much needed outpost to guard against hostile Chichimec Indians who resided in the area. As time went by, the city proved to be an ideal strategic transportation link between between Mexico City and the silver mines of Zacatecas.

Catedral de Aguascalientes, author Ewem Robert

There is a lot to see and do while visiting Aguascalientes. Sightseeing activities include viewing the lovingly restored colonial-era buildings located downtown that are situated around the Plaza de la Patria square. Perhaps the most noteworthy of these, the Palacio de Gobierno, features pink stone walls, a handsome central courtyard and murals painted by a disciple of Feria de San Marcos

Each year the city hosts its annual celebration, the San Marcos Fair. This is Mexico’s oldest and largest state fair. Beginning in mid-April and ending in the early part of May, this very popular event attracts visitors from all over Mexico. Bullfights are held, fireworks light up the night sky and amusement rides thrill the children.

Mexican Revolution of 1910.

The Aguascalientes Museum has a fine collection of 20th-century art including the works of Saturnino Herran. The artist, born in Aguacalientes, had a style similar to art nouveau. His subject matter included portraits of the everyday citizen. These well executed and beautiful paintings were painted with a high degree of sensitivity towards his subjects.

One of the best spas to visit while in Aquascalientes is the Centro Deportivo Ojo Caliente. Located on the east side of town, this spa features thermal pools with a variety of temperatures to choose from. Additionally, saunas and steam baths are available as are squash and tennis courts.

Aguascalientes is a prosperous industrial city that contributes greatly to Mexico’s manufacturing output. It is one of the fastest growing cities in Mexico and makes a nice stop for those traveling betweenGuadalajara and the state of Zacatecas.

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posted by AetnaJo on Jan 30

San Augustin Church

Seating area of Ricardo Castro Theater

Colonial Durango — Victoria de Durango, Durango — staged many of Mexico’s most important historical events. Historic figures, including Guadalupe Victoria, Francisco Gómez Palacio, José María Patoni, José Ceballos, Domingo Arrieta León, Francisco “Pancho” Villa, and Francisco Castillo Nájera carried out their duties within and among the city’s colonial buildings. Many of the city’s important architectural gems, some dating back to the 16th century, still stand today; they provide a colonial backdrop for Durango’s strolling residents and tourists alike.

The Lesser Basilica Cathedral
(Catedral Basílica Menor)

La Catedral Basílica Menor has symbolized colonized Durango longer than any other historic Durangan landmark. The Lesser Basilica Cathedral, better known, simply, as La Catedral is located on Calle 20 de Noviembre in front of the Plaza de Armas (Arms Plaza), between the streets, Juárez and Constitución in the very center of Durango’s historic downtown area. It originally materialized as La Antigua Parroquia de la Asunción —The Ancient Parish of the Assumption — named in honor of the Christian belief that the Virgin Mary was transported to heaven with her body and soul united. The parish earned the title of “cathedral” around 1620, when it quartered the Bishop of Durango, but a fire destroyed it. The church was once again built, and once again destroyed when problems with dampness plagued the building.

In 1695, Bishop García Legazpi ordered the initiation of a new project, designed by Architect, Mateo Nuñez. About a decade and a half later, the principal structure that today towers over of the Plaza de Armas was finished. In 1840, Bishop Zubiría ordered major remodeling of the building but conserved its extreme baroque style.

The cathedral represents one of the most important examples of extreme Churrigueresque architectural style in northern Mexico. Elaborate and extravagant decoration and intricate details — especially in surface ornamentation — characterize Churrigueresque architecture. This style came about at the end of the Spanish Renaissance. Its namesake, Spanish architect José Benito Churriguera (1665-1725) was, along with his descendents, principally responsible for its development. One may observe the Churrigueresque style in the front and side entrances of the cathedral.

Sculptures of Saint Peter (San Pedro) and Saint Paul (San Pablo) and exquisitely detailed sculptures of vegetation and other details adorn the Cathedral’s exterior. Within enormous painted domes, arches and carved wood furniture entertain the eye during mass.

Lobby of the Ricardo Castro Theater.

Mural in the Ricardo Castro Library

Visitors can enjoy the Cathedral both at night and during the day. Natural daylight favors observation of the interior’s stained glass windows and painted domes, and the exterior is splendidly illuminated at night. One may also observe the cathedral as a prominent landmark on the Durangan landscape from the Cerro de los Remedios.

In addition, the cathedral hosts the legendary shadow of “the nun” (la monja) who eternally awaits the return of her love. One may see the shadow of the nun from sidewalk on Constitución street.

Administration Building of the Juarez University of the State of Durango
(Edificio Central de la Universidad Juárez del Estado de Durango)

Many of northern Mexico’s historic intellects, politicians, and clergy were educated within the classrooms of today’s Administration Building of the Juarez University of the State of Durango. During much of the 20th century, it housed one of the most important educational entities in northern New Spain’s New Vizcaya Province, approximately equivalent to what are, today, Chihuahua and Durango.

The building’s main access, located on Calle Constitución between the streets 5 de Febrero and Pino Suárez, is nestled in a quarry stone patio alongside the Temple of Our Lady of San Juan de los Lagos (Templo de Nuestra Señora de San Juan de los Lagos), which shares a long history with the present university building. A sketch of its detailed façade appears to date on university letterheads and logos.

The university building’s history as an educational site dates as far back as the 16th century when Señora Eufrasia Vázquez de Cubia, the property owner, and Jesuits began to teach children from the Durangan village . In 1596, Fathers Francisco Gutiérrez, Gerónimo Ramírez and, possibly, Juan Agustín de Espinoza, Pedro de la Serna, and brothers, Juan de la Carrera and Vicente Beltrán became the new occupants of the property.

In 1856, Don José de la Bárcena founded the Civil College of the State (Colegio Civil del Estado), which moved into the building in 1860. Following the death of Benito Juárez, the Governor, responding to a request from students and teachers of the college, renamed it Instituto Juárez (Juarez Institute). With its incorporation into the University of Mexico (Universidad de México) in 1938, it adopted the slogan “Por mi raza hablará el espíritu,” a modified version of a phrase authored by Don José Vasconcelos. In the original phrase, Vasconcelos referred to the voice of the spirit that emanates from one’s roots, an important concept in Mexico’s mestizo culture.

Elevated in 1957 to the status of university, he institute received its present name — Universidad Juárez del Estado de Durango, and the building, to date, serves as the university’s principal administrative center. The main structure centers around a palm-shaded garden. Some of the interior spaces such as the President’s conference room and the Laureano Roncal auditorium are furnished with pompous, carved wood furniture.

House of the Count of the Suchil Valley
(Casa del Conde del Valle de Súchil)

One of Durango’s most beautifully decorated colonial buildings is the House of the Count of the Suchil Valley, location today’s Banamex Bank, on the corner of Calle 5 de Febrero and Francisco I. Madero. It was originally a home owned by wealthy miner and landowner Joseph del Campo Soberón y Larrea, Count of the Valley of Súchil. In 1763 and 1764, Pedro de Huertas designed its beautifully sculpted baroque fascia and interior. Sculptures include intricate vegetation, shells, ribbons, flowers, fruits, and an image of Saint Joseph and the Christ child. Arches in the interior patio and decorated pillars surround the bank’s main floor, where clients now wait to carry out bank transactions.

Churrigueresque style church adorned with Quarry stone sculptures

Cathedral in Plaza de Armas in Durango, Mexico

Ricardo Castro Theater
(Teatro Ricardo Castro)

At the end of the 19th century, the Compañía Constructora y Explotadora del Teatro de Durango was formed with the objective of constructing a playhouse. The company lived until the beginning of the 20th century, when the first stone was laid and thereafter dissolved, leaving the building in the hands of the state government. The building fell into the private sector and became a movie theater, known as the Cine Principal.

Grandeur marks the neoclassic theater’s entrance, with massive stairs leading up to arched entranceways and, eventually, to crystal-windowed wood doors guarded by iron gargoyles. A statue of the theater’s namesake, Mexican concert pianist and the last romantic composer of the Porfirio Díaz era, stands on the corner of the Avenue 20 de Noviembre and Bruno Martínez Street. Above the entranceway, generously sculptured arches framing wood and crystal doors overlook the avenue.

Inside, in the reception area, before an event, one may observe Durango’s culture lovers in conversation, standing on marble floors beneath white arches or in front of a large wood carving, illustrating the city of Durango. The reception provides a serious introduction to the enormous audience seating area within the velvet curtain-covered entrance. Within the seating area, enormous, rather erotic paintings depicting the exploitation of the Cerro del Mercado (Market Hill) above the Colonial City of Durango frame, along with enormous white pillars, the stage where performers entertain Durangan audiences.

In 1991, the theater was donated by the President of the Mexican Republic as patrimony of the Durangan people, and has since hosted cultural events for large Durango audiences.

Victoria Theater
(Teatro Victoria)

Some may consider the Victoria Theater a bit modest to be considered among Durango’s top architectural gems, but its quaint, simple elegance and relatively small, tiered seating make it a cozy setting for medium-sized theatrical, musical, and other cultural events. It really deserves a visit.

Located next to the Governor’s Palace on Calle Bruno Martínez, the theater was originally called the Zambrano Coliseum and Theater (Coliseo y Teatro de Zambrano). Juan José Zambrano, a wealthy miner, alderman, and mayor in Durango, ordered the construction of the theater as an addition to the Governor’s Palace, for his personal use. The building was inaugurated in 1800 and rebuilt or remodeled between 1909 and 1910 in celebration of the 100th anniversary of national Independence, hence, its new name, Teatro Victoria, to honor Guadalupe Victoria, Mexico’s first president. In 1980, it was again remodeled by order of Dr. Héctor Mayagoitia, the state’s Governor, at the time, with the goal of promoting the development of the arts in the state.

The building’s facade is modestly colonial, as is the tastefully designed reception area. The theater’s attractiveness lies within. A horseshoe of several tears of balconies, each directly above the previous, surrounds main floor seating, and nearly all of the seats provide a right-up-close look at performing artists. Wooden banisters and lots of textiles make the theater acoustically comfortable, and low, but adequate lighting provides a marvelous setting for one to contemplate more than a century of cultural events as one awaits the third call. Visitors to the City of Durango should definitely check the theater’s schedule to see if there’s an interesting event there while in Durango.

Regional Museum of Durango
(El Museo Regional de Durango)

Locals know the Regional Museum of Durango on the corner of streets, Victoria and Aquiles Serdán as “El Aguacate,” (The Avocado), in reference to a tree in the museum’s garden. Built during the second half of the 19th century, it was home of Francisco Gómez Palacio, ex-governor of the state. The structure has served as a pay station for revolutionary troops, the civil register court, the municipal president’s office, the headquarters of the Supreme Court of Justice, as a schoolhouse and as a public library. The museum opened as part of the Universidad Juárez del Estado de Durango (see above) in 1989, and it displays important elements of the state’s history.

Stanislao Sloneck designed the building to reflect French influence and constructive style, which were popular at the time of its construction. Like many buildings of the period, it is built principally of quarry stone. However, the interior is pleasantly decorated with wood finish, giving it warmth uncommon in many of the region’s colonial structures.

Saint Augustine Temple
(Templo de San Agustín)

Born as a simple prayer area, the Saint Augustine Temple, along with its plaza, has grown into one of Durango’s most visually pleasing architectural gems. Its construction began in the beginning of the 17th century with its foundation by Fray Gonzalo de Hermosillo. Its initial construction took nearly a decade and a half, and remodeling and additions were still in process during the 19th century when master mason Benigno Montoya added a Neogothic façade, including simple decorations on the columns and religious figures.

Governor’s Palace
(Palacio de Gobierno)

Juan José Zambrano (see above) ordered the construction of the Governor’s Palace at the end of the 18th century. It is located on Calle 5 de Febrero in front of the Plaza Cuarto Centenario, between Bruno Martínez and Zaragosa streets. The building was occupied by the governor once Mexican Independence was established, and it is the site of today’s state governor’s offices.

The two-story structure is of quarry stone and the entrance way and interior are adorned by arches on stone columns. In the building’s interior, one finds mural paintings of historic events in Durango history painted by Francisco Montoya de la Cruz (1950) and Ernesto Flores Esquivel (1981). The upper story features a balcony from which the state governor participates, each year, in the Shout for Independence celebration. President Benito Juárez resided in the Governor’s Palace upon his return from the Paso del Norte (the Northern Pass, which is today’s Ciudad Juárez, Chihuahua). Juárez is commemorated by a sculpture within the building, as well as by a large sculpture in the plaza in front of the palace.

Governors Palace in Durango Mexico

San Augustin Church

Governor’s House
(Casa de Gobierno)

Built in the 19th century and containing remnants of construction dating back to the 18th Century, the Casa de Gobierno currently houses state executive offices. It was home to governors at one time. It is located on Calle Bruno Martínez between Coronado and Aquiles Serdán. The building features attractive quarry stone and abundant hallways among gardens. Aside from its function as an office building, it hosts numerous meetings and events in its conference room.

Municipal Palace
(Palacio Municipal)

Located on 20 de Noviembre Avenue and Victoria Street, the Municipal Palace is a neoclassical style building built in 1898 as the private residence of Pedro Escárzaga, a wealthy Durangan miner. Inside, a mural by Francisco Montoya de la Cruz depicts historic moments in Durango’s history, including the conquest of Nueva Vizcaya, discovery of the Market Hill (Cerro del Mercado), the Revolution, and the Independence movement. The building has served as the Durango Town Hall (Ayuntamiento de Durango) since 1930.

The Train Station
(Estación de Ferrocarriles)

On Octubre 16, 1892, the first train arrived at the Durango Train Station, located on Felipe Pescador Avenue at the head of Calle Bruno Martínez. Architect Manuel Ortiz Monasterio built the station in 1920, but one of the structures in the train yard dates back to 1893. Outside the station, Durango’s last steam engine, number 900, has been conserved, and gardens in front of the station make it an attractive site for visitors.

I have mentioned only a portion of Durango’s interesting and important colonial treasures. Architecture fans can see many more colonial gems just by strolling the streets in Durango’s historic downtown area. In addition, many of the downtown buildings have been recently remodeled or restored to colonial style, and much of the downtown area has restored quarry stone sidewalks. The municipality has also invested in ground-level and structural illumination that make many of the landmark buildings outstanding sights in the evening.

More information on colonial buildings in Durango and other tourist attractions is available in Spanish, within web pages from Mexico Desconocido (http://www.mexicodesconocido.com.mx/notas/7908-Durango,-Durango), the Instituto Nacional de Información Estadística y Geográfica (http://mapserver.inegi.gob.mx/geografia/espanol/estados/dgo/dgo-it.cfm?c=590&e=10&CFID=2610500&CFTOKEN=49566404#arqrel), and in the Municipality of Durango’s photo gallery (http://www.unidosporti.gob.mx/galeria).

Published or Updated on: November 23, 2009 by Jeffrey R. Bacon  © 2009
Contact Jeffrey R. Bacon.   Pictures by Jeffrey R. Bacon

Re-Published or Updated by Aetna J B on January 30, 2011

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posted by AetnaJo on Jan 24

Preview

Preview

Preview

Mexico’s famous Te-Amo cigar comes from Sihuapan, near Catemaco, Veracruz. The producer — Turrent, Nueva Matacapan Tabacos, S.A. de C.V. — takes its name from the owner, Alberto Turrent, the fifth generation of the cigar manufacturing family. I’m a cigar aficionado myself, and I had the pleasure of talking with Alberto Turrent at length.

During my visit to the rolling plant,  Exports Manager Señorita Marilu Zetina told me that Señor Turrent is in the field examining the crops every morning.

That hands-on expertise and care meant something to me. From my family background, I knew what planting, touching a leaf and harvesting meant to any farmer. I know the threat of bad weather and pests. With other favorable tidbits I’d heard about Mr. Turrent, I guessed he was a man of the soil as much as, if not more, than a business executive. This wasn’t a tycoon sitting behind a desk in a New York, London or Mexico City skyscraper making decisions without knowing what labor and care went into each crop. Historically, this was a family worth knowing about as much as their product.

Cigars: a family legacy

The first Alberto Turrent immigrated to Mexico from Spain. In 1880, he established his line of tobacco and cigars in the San Andreas Valley in the southeastern part of the state of Veracruz. The valley, with dormant volcanoes nearby, provided a rich soil and perfect climate for quality tobacco.

I sat with Alberto Turrent, IV, the President of Tabacalera Alberto or Turrent, Nueva Matacapan Tabacos, SA de CV. I’d toured his factory twice, spoken with the Exports Manager and poked around, taking photos of his drying sheds and fields. I’d developed a general respect for the man. Still, I wasn’t prepared for the hospitable, gentle man across the table. Were he American, he’d be one of the finest examples of a Southern gentleman.

I was there to interview this tycoon, if not the father, of modern Mexican tobacco and discovered we had other things in common. At sixty-five, Señor Turrent was only a few years older than me. I’d motorcycled through his home area, Sihuapan and the Tuxtlas region in 1971. I knew the old Mexico — the time of burros — that even the majority of the youthful Mexican population, with its burgeoning economy, no longer remembers.

Los Tuxtlas

I didn’t interview Mr. Turrent; instead we held a conversation that revealed a glimpse of the man. Visualize the Mexico this man grew up in and the times in which he expanded Tabacalera Alberto. In 1971, the narrow roads meandered and were in miserable shape. The government ignored the Los Tuxtlas region as it is still ignored by today’s tourists. The first train tracks to the area arrived in 1910 and didn’t reach Merida, Yucatan, until 1955, a few years before the highway.

The Los Tuxtlas were cut off. The Mexico of that era had few cars, exceedingly poor telephone communication and little of what we term sound infrastructure. Refrigeration was virtually unknown, and only a lucky few lived near ice plants. Many people were subsistence farmers.

Knowing the conditions of 1971 Mexico, I can only imagine the obstacles the first three Albertos faced in building their business for IV to expand.

Like most of us, Alberto IV knew little about his grandfather or great-grandfather. The first Alberto may have run the company twenty years. Both Alberto and Alberto II were deceased before he was born, and his direct memory is of his father, Alberto III.

The first two Albertos shipped their tobacco by mule train to a river where it was loaded on boats and floated to Veracruz for international transport until 1910, when the first train tracks reached the area.

Tobacco

I didn’t dwell on the subject of unknown grandfathers and moved onto farming. Mr. Turrent produces two crops per year. Generally, June to September is one crop, and September to February the other. He has nearly forty barns or what we’d call drying sheds. I’d been curious about these large structures that blend so well into the mountainous terrain they’re hard to spot. The lower halves are covered with corrugated tin, but it appeared some type of dried cane or vines covered the upper half. Once Mr. Turrent said “dried corn stalks,” it cleared up the mystery. He currently has about 600 hectares (roughly 1,500 acres) under cultivation.

We were totally relaxed, our conversation ambling off topic and returning to tobacco. Alberto, in a white short-sleeved shirt eased back to reflect a moment. “You know, I have an old poster on turn-of-the-century tobacco.”

We stepped out of his office. On the left was a wonderful poster from 1906. The two-foot by three-foot advertisement with small pictures and ads on its face carried us back in time and revealed a thriving turn-of-the-century tobacco industry. Several of the second generation Turrent brothers had their own companies. We returned to the office to view two of the few personal pictures in the room.

Alberto drew my attention to a pair of black and white photographs. “This one is my grandfather by a tobacco field about 1910. The other is of my father by the tobacco field in 1931. I’ve studied the photographs for years. There are obvious differences in the growth of the plants in each picture.”

I looked closely at the images. The 1931 plants were definitely smaller. We speculated on causes without any conclusion. Ironically, a later and unrelated part of our discussion may have thrown some light on the differences in growth. But the pictures had put us in the past and I asked if the Mexican Revolution had impacted his grandfather.

He looked surprised at the question. “No, it didn’t impact this area or crops. The bad fighting was to the north and west.”

As we spoke, there were interruptions. Business calls had to be taken and decisions made. Although I felt the intruder, Mr. Turrent apologized after each short interruption and we picked up in mid-stream.

Farmer or businessman?

He took over the company in 1960 in the Mexico I’ve inadequately described, and headed the business as Mexico upgraded and entered what I’ll term the modern or technological world.

In 1960, most Mexican tobacco was shipped to Europe. In 1964, Turrent, Nueva Matacapan Tabacos, SA de CV entered the American market. As a cigar expert, he believes the US is now open to a wider variety of cigars and cigar companies than ever before.

I had a good feel for Mr. Turrent by this time and had to ask. “Are you a businessman or a man of the soil?”

He flashed the second biggest smile I was to get from his friendly countenance. Knowing exactly what I was asking, he said, “I’m both.”

Farmer or Businessman?

We diddled a bit on the thought. He brought out a couple of cigars to enjoy during our conversation and then became serious. I love the farms. I started with the soil as a youth, but they’re completely different, the farm and the factory or business.

I asked, “When did you begin farming with tractors?”

“1965 or ’66. Do you know what we plowed with before that?”

I’d have guessed mules, but said, “No sir.”

“Bulls. We farmed with bulls.”

The reminiscence put us in the past a few moments but, returning to the present, I caught his largest smile. We got on the new brand A.Turrent 6th Generation, in honor of his year-old-grandson.

Everything stopped and Mr. Turrent lifted the third of his four personal pictures off the shelf, the fourth being a portrait his father. His grandson, a handsome little boy, smiled back. I couldn’t blame Mr. Turrent, the proud grandfather, for bringing the picture to the table. He made me the gift of one of the A.Turrent 6th Generation cigars scheduled for international release in 2008. I almost hated to smoke it, but it smelled too delicious to resist.

After a few moments discussing grandchildren, we drifted back on track. I asked what their production was.

“We produce between five and six million cigars a year,” he said. “But it’ll take seven million as we open markets in India and China.”

We examined his wall map. Colored pins designated the numerous countries purchasing tobacco and cigars. Only the continents of Australia and Antarctica lacked a pin.

Alberto looked youthful and fit for his 65 years. I asked if he’d thought of retiring.

The question produced another of his great smiles. “I couldn’t stop working with tobacco. If I retired, I’d probably go work for one of my daughters. They run tobacco shops in Monterrey. I’d spend my days telling customers about cigars.”

He indeed was Mr. Tobacco of Mexico. Recalling the rich looking soil I asked about the use of fertilizer.

Tobacco is like wine

“They used to not use it. The earth is naturally rich from the volcanic ash and the tropical rain forest vegetation constantly rotting and replenishing the soil, but it is needed. We started importing and learning about fertilizer from Germany between 1910 and 20.”

He paused a moment. “I don’t know this but it’s what I think. There were many tobacco farms in our area. We have the same conditions as Cuba, the Dominican Republic, Honduras and Nicaragua, but I think World War II finished most of the Mexican tobacco growers. Almost all the tobacco had been shipped to Europe before 1940, but the war ended that export business. Most cigar factories folded and the tobacco farmers turned to bananas for export to the United States. Only five or six families survived in tobacco production.”

His thoughts made me reflect on the differences in tobacco fields in the 1910 and 1931 pictures. I wondered if the German depression had ended fertilizer exports to Mexico in the years before 1931. I hated to break a good conversation with an interview question, but asked what percent of leaf and cigars are used in Mexico and how much is exported.

Mr. Turrent told me about thirty percent was used internally and seventy percent exported. From there we moved to planned production changes and other endeavors.

“It’s not big, but we’ve entered the Institute of Tobacco with Cuba. They study the genetics of the seed. Our tobacco is grown with basically the same seed Cuba uses. The studies are to find a genetic strain resistant to blue mold. One of their people comes about twice a year.”

Thinking of Cuba, I asked, “What makes Mexican tobacco better?”

Mr. Turrent replied, “No one can really say what cigar tobacco is better. Tobacco is like wine. Every area has its own flavor. Each one possesses unique traits from the local area. You can plant our seeds in Cuba, the Dominican Republic, Honduras and Nicaragua, but it won’t taste like the tobacco we grow. It’s really the taste each individual prefers. Or for example, you can say Madura is a great wrapper, but that’s not taste or preference. I can only say with certainty, our quality is as good as or better than anywhere else in the world, and we take much pride in our product.”

I’d seen that pride in spotless work stations and the dozen workers I’d spoken with who subconsciously displayed their pride. Thankfully for me, something came up about the computer and how wonderful it was. That aside returned our conversation to the old, more primitive days and led to my treat of the day that every cigar aficionado should be lucky enough to enjoy.

Heaven in a humidor

Mr. Turrent said, “We used to do everything by telegraph. The phones were unreliable and the mail was too slow. If we shipped an order we had to telegraph the name of the vessel, the date of departure and that type information to the customer. Then the fax came and now the internet. Before, to buy a humidor, we had to write Mexico City and order through middlemen there. It took three months for one to arrive. With the internet, we discovered humidors were manufactured in New Jersey and now order directly. Instead of three months, we have a new one here in three days. The money’s not tied up for months. There have been wonderful improvements along those lines.

I wondered how big the humidors must be and asked.

He called through the open door. “Marilu, he hasn’t seen the storage room? Come on,” he said.

We walked downstairs and across part of the plant to a fairly secure door. We stepped through. The most wonderfully rich, pungent odor enveloped me and I’m certain — like a cartoon character — my eyes bugged out. The room, about 130 feet long by 20 to 25 feet wide, held approximately three and one-half million cigars of every shape, color and size one could desire. They lay housed in thousands of white, plastic baskets stacked ten feet high. The smell overwhelmed every sense, the temperature and air flow proved unbelievably relaxing and comfortable.

The humidor question evaporated from my mind. There would never be a need to light up in that room. The effect seemed strange, but perhaps others would have reacted the same way. Had there been a cot, and I allowed, Id have stretched out and enjoyed a long nap in that flavorful room.

I’d not brought my camera for my conversation with Mr. Turrent. He was kind enough to let me get it and turned me over to the young man in charge of the room. I tried from every angle and position to capture the entire room but failed. The young man offered to move some stacks so I could photograph the full 130-foot perspective, but I didn’t want to be responsible for mixing up a few hundred thousand cigars if we tipped a stack over, so I declined. Still, the reader will gain some idea of the room in the adjacent pictures.

I only wish words could properly convey the intense bouquet of aromas without telling you to shut yourself up in a closet with a great humidifier and ten or twelve thousand superior, hand-rolled cigars to savor the mood and enjoyment.

I finished the afternoon talking with a few employees. I was set to see some of the fields and basic farming operations in the morning. I’d taken more than enough of Señor Turrent’s time, but he was definitely the type of gentleman I’d like to know better. I left, hoping I’d see him again before leaving Mexico, and wondering if the sixth generation would be as gracious as the fourth.

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Published or Updated on: November 23, 2010 by William B. Kaliher, © 2010 Re-Published on January 24, 2011 by Aetna J B

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posted by AetnaJo on Jan 17

Dale Hoyt Palfrey

Set on the shore of Lake Chapala, the town of Ajijic has become a center of art and culture. The Noches de Ajijic International Festival of Gastronomy and Music highlights some of the region’s best.

Seven host restaurants offer special menus prepared for the occasion by outstanding guest chefs. Other festival activities will draw residents and visitors to a full array of artistic expressions.

Free activities scheduled every day on the Ajijic Malecón along with gallery walks through the village, live entertainment including two big concerts at the waterfront and a spectacular grand finale wrapped around the theme of ancient Mexico scheduled in Chapala.

Cuban dance troupe

Los 3 D’Café and Cuban dancers
Resources: About.com

Published or Updated on: June 5, 2009 by Dayl Hoyt Palfrey © 2009
Contact Dale Hoyt Palfrey

Re-Published or Updated on January 17,2011 by Aetna JB

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posted by AetnaJo on Jan 11


Carnaval is an official Mexican holiday that kicks off a five-day celebration of the libido before the Catholic lent begins on Ash Wednesday. Beginning the weekend before Lent, Carnaval is celebrated exuberantly with parades, floats, costumes, music and dancing in the streets. Carnaval is equivalent to Mardi Gras in New Orleans. For specific dates see bottom of page.

History


The festival of Carnaval is celebrated as a last indulgence of carnal pleasures that Catholics must give up for 40 days of fasting during Lent, from Ash Wednesday to Easter Sunday. In fact, the word Carnaval is derived from Latin, meaning take away or goodbye to flesh, and strict Catholics will give up meat eating during Lent.

Carnaval is officially celebrated for 5 days, leading up to Ash Wednesday, with the most vigorous celebration taking place over the one weekend in Mexico. The wearing of masks during Carnaval is said to be a pagan practice as protection from evil spirits, but most likely evolved as a way to participate fully in the celebration with some anonymity.

Where To See It


Carnaval parade in MazatlanIn Mexico, many cities have Carnaval celebration of various sizes, but the biggest events take place in the port cities, with the largest of all inMazatlan. Mazatlan’s Carnaval is said to attract well over 300,000 people, making it the third largest such event behind Rio de Janeiro and New Orleans. Port towns such as EnsenadaLa Paz and Veracruz are also excellent places to watch Carnaval festivities.

People from all over the world come to Mazatlan to enjoy the festivities, and this is one of the few times that hotel reservations are both necessary and more expensive. If you plan to attend, make sure you have arrangements in place several months in advance.

Festival Events


During Carnaval, everyone participates in the many events and activities that make up the celebration. Wherever Carnaval is celebrated the whole town parties during the day and into the night, dressed in their masquerade outfits, enjoying food and drink and liquor. People of all ages throw and break cascarones, confetti filled eggshells, over each other. There are many booths that offer food, drinks, snacks and games and crafts of every type. Music of all sorts is played non-stop, by live bands, DJs or the boom box.

Some Carnavals also have a collection of rides like those found at an amusement park. Depending on the town, there may be many organized parties, outdoor festivals and masquerade balls. Many of these types of events charge an entrance fee, or may be entirely private. Mazatlan hosts a public street fair and dance for a small admission, as well as on offshore fireworks display that commemorates an old naval battle.

During the final days, many different events present awards, one for the Flower Queen, and literary awards to those who have written the best Flowery Poem. In Mazatlán, a prestigious national award is presented for the best unpublished literary work from anywhere in Mexico, called the Clemencia Isaura Poetry award.


The traditional fireworks display above Mazatlan’s coast

In the evenings there are fireworks displays including the traditional castillo, or castle, a large fireworks platform unique to Mexico. Even the kids get to stay out until late to take part and enjoy the festivities. On Saturday evening, there is the coronation of the Carnaval Queen and the humorous El Rey Feo, or Ugly King. There will also be the burning of an effigy, usually someone unpopular at the time, known as the Quema de Mal Humor orBurning of Bad Humor.

Sunday is the biggest organized celebration of the weekend, and typically includes the big float parade, and lots of musicians playing on stages and dancing in the streets. When Monday arrives, there is El Día del Marido Oprimido, or the Day of the Oppressed Husband. On this one day, for 23.5 hours, husbands have the freedom to do as they wish … within the law and religious faith of course.

By the time Fat Tuesday rolls around, many people have to get back to work, and just about everyone has had their fill of revelry and indulgence, ready to accept the restrictions of Lent.

The dates for the celebration change slightly from year to year, according to the following schedule (provided by the Mazatlan Carnaval promotions department): 2009: Feb 19-24;2010: Feb 11-16.

If you’re looking for a festival of dancing, costumes, music, fireworks, food, drink and just being wild and crazy … then Carnaval is the holiday for you. And Mexico certainly knows how to celebrate this holiday in style.

Resources: Mexonline.com

Posted on January 11,2011 by Aetna Jo B

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posted by AetnaJo on Jan 6

January the 6th is a special day in Mexico. Known as ‘El Dia de Reyes‘ (Three Kings Day), this holiday represents the height of the Christmas season. The date marks the culmination of the twelve days of Christmas and commemorates the three wise men who traveled from afar, bearing gifts for the infant baby Jesus. The children of Mexico in particular look forward to this holiday as traditionally, gifts are exchanged on this date, not on Christmas day.

In Mexico and many other Latin American countries, Santa Claus doesn’t hold the cachet that he does in the United States. Rather, it is the three wise men who are the bearers of gifts, who leave presents in or near the shoes of small children. The holiday is also known by the name of the Epiphany which dates back to the 4th century. A grand feast would be held on this day to honor the occasion of Jesus’ baptism and to pay homage to the three wise men.

Los Tres Reyes
Los Tres Reyes Magos

Many believe mysterious events preceded Jesus’ birth with perhaps the most notable being the appearance of the Star of Bethlehem. This new star appeared in the evening sky just prior to the arrival of Jesus. Three wise men or Magi as they were then known, whose names were Gaspar, Melchior and Balthasar, traveled a far distance to pay homage to the Christ child. They brought with them fine gifts of gold, frankincense and myrrh.

Three Kings Day remains an important holiday for the people of Mexico. In addition to the gift-giving aspect of the day there is also a culinary treat that is specific to the holiday. Known as ‘Rosca de Reyes’ (King’s Cake), this holiday dessert offers much in the way of symbolism. Shaped in the round to signify a king’s crown, this sweet bread holds a special surprise. Baked inside is a small plastic figurine representing the baby Jesus. Whoever finds this token is obligated to host an upcoming party for the occasion of ‘Dia de la Candelaria’ (Candlemas Day) which occurs each year on February 2nd.

Rosca de Reyes
Rosca de Reyes

The effigy of the baby Jesus, hidden inside the cake, represents another aspect of the holiday. The reason Jesus is ‘hidden’ inside the bread is to symbolize how in life, the Christ child’s birth location also needed to remain secret, in order that his life be spared. The ruler of Jerusalem at the time, King Herod, had been appraised of the mystical signs that indicated the new and rightful King of Jerusalem was soon to be born. Herod’s reaction to these predictions was swift and horrible. He ordered his minions to murder all male infants recently born in Bethlehem. However, as destiny would have it, Mary and Joseph found their lodgings in a manger, not an inn. Herod’s henchmen didn’t think to look for an infant in such a location.

Another lovely custom associated with the Three Kings Day holiday centers around the evening meal. Traditionally, the supper served on this special day is delicious corn tamales accompanied by hot chocolate. This makes for a perfectly quintessential Mexican meal and one that is enjoyed by everyone in attendance.

Resources: Mexonline.com

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